Skip to results
Advanced search
NARROW
1-20 of 17937
Chapter
Handmade Genders: Queer Costuming in San Francisco Circa 1970 Get access
Julia Bryan-Wilson
Published: 23 January 2012
Chapter
The Print Culture of Yolanda M. López Get access
Karen Mary Davalos
Published: 23 January 2012
Chapter
Published: 23 January 2012
Chapter
Published: 23 January 2012
Chapter
Out of the Closets, into the Woods: the Post-Stonewall Emergence of Queer Anti-Urbanism Get access
Scott Herring
Published: 23 January 2012
Chapter
Techniques of Survival: the Harrisons and the Environmental Counterculture Get access
Amanda Boetzkes
Published: 23 January 2012
Image
Theater Dome under construction in 1967. A 40-foot-diameter space was desig... Get access
in
West of Center: Art and the Counterculture Experiment in America, 1965-1977
>
How to Build A Commune: Drop City’s Influence on the Southwestern Commune Movement
Published: 23 January 2012
Figure 1.3
Theater Dome under construction in 1967. A 40-foot-diameter space was designed to accommodate 360-degree multimedia projections from a central projection booth under the floor. Photograph by Clark Richert.
Image
Clark Richert, Richard Kallweit, JoAnn Bernofsky, Gene Bernofsky, and Charl... Get access
in
West of Center: Art and the Counterculture Experiment in America, 1965-1977
>
How to Build A Commune: Drop City’s Influence on the Southwestern Commune Movement
Published: 23 January 2012
Figure 1.4
Clark Richert, Richard Kallweit, JoAnn Bernofsky, Gene Bernofsky, and Charles DeJulio, The Ultimate Painting , 1966. Acrylic on canvas, 60 inches in diameter; placed in front of Theater Dome. Photograph by Richard Kallweit.
Image
Lawrence Halprin, scores for Villages 1 and 2, “Experiments in Environment,... Get access
in
West of Center: Art and the Counterculture Experiment in America, 1965-1977
>
Collective Movement: Anna and Lawrence Halprin’s Joint Workshops
Published: 23 January 2012
Figure 2.4
Lawrence Halprin, scores for Villages 1 and 2, “Experiments in Environment,” 1968. Lawrence Halprin Collection, the Architectural Archives, University of Pennsylvania.
Image
Joe Ehreth, Driftwood Village (viewing platform), “Experiments in Environme... Get access
in
West of Center: Art and the Counterculture Experiment in America, 1965-1977
>
Collective Movement: Anna and Lawrence Halprin’s Joint Workshops
Published: 23 January 2012
Figure 2.5
Joe Ehreth, Driftwood Village (viewing platform), “Experiments in Environment,” 1968. Lawrence Halprin Collection, the Architectural Archives, University of Pennsylvania.
Image
Bonnie Ora Sherk, original drawing for CrossroadsCommunity (The Farm)... Get access
in
West of Center: Art and the Counterculture Experiment in America, 1965-1977
>
The Farm by the Freeway
Published: 23 January 2012
Figure 3.2
Bonnie Ora Sherk, original drawing for CrossroadsCommunity (The Farm) , 1974, San Francisco.
Image
Make-a-Circus at The Farm, c. 1976. Photograph by Bonnie Ora Sh... Get access
in
West of Center: Art and the Counterculture Experiment in America, 1965-1977
>
The Farm by the Freeway
Published: 23 January 2012
Figure 3.3
Make-a-Circus at The Farm , c. 1976. Photograph by Bonnie Ora Sherk.
Image
Jody Sibert, untitled photocollage, c. 1973, in Birth and Death and Cyb... Get access
in
West of Center: Art and the Counterculture Experiment in America, 1965-1977
>
San Francisco Video Collectives and the Counterculture
Published: 23 January 2012
Figure 4.3
Jody Sibert, untitled photocollage, c. 1973, in Birth and Death and Cybernation: Cybernetics of the Sacred , 98.
Image
Roger Arvid Anderson, Goldie Glitters in Pearls over Shanghai, 197... Get access
in
West of Center: Art and the Counterculture Experiment in America, 1965-1977
>
Handmade Genders: Queer Costuming in San Francisco Circa 1970
Published: 23 January 2012
Figure 5.2
Roger Arvid Anderson, Goldie Glitters in Pearls over Shanghai , 1972. Palace Theater, San Francisco, California. Courtesy of the artist. Copyright 1972 Roger Arvid Anderson.
Image
Hibiscus as a golden peacock in early Angels of Light performance, San Fran... Get access
in
West of Center: Art and the Counterculture Experiment in America, 1965-1977
>
Handmade Genders: Queer Costuming in San Francisco Circa 1970
Published: 23 January 2012
Figure 5.3
Hibiscus as a golden peacock in early Angels of Light performance, San Francisco, 1972. Costume by Martin Wong. Photographer unknown.
Image
Models from the Years Ahead Fashion Show, San Francisco, 1973. They model B... Get access
in
West of Center: Art and the Counterculture Experiment in America, 1965-1977
>
Handmade Genders: Queer Costuming in San Francisco Circa 1970
Published: 23 January 2012
Figure 5.4
Models from the Years Ahead Fashion Show, San Francisco, 1973. They model Billy Bowers’s clothes or their own ensembles; Wally is in a self-made outfit at far right, bottom. Photograph copyright Wendy Mukluk.
Image
Beaver Bauer and Jessica Copen in Sci-Clones, an Angels of Light s... Get access
in
West of Center: Art and the Counterculture Experiment in America, 1965-1977
>
Handmade Genders: Queer Costuming in San Francisco Circa 1970
Published: 23 January 2012
Figure 5.5
Beaver Bauer and Jessica Copen in Sci-Clones , an Angels of Light show, 1978. Photograph copyright Daniel Nicoletta.
Image
Some of the Cockettes at home relaxing in the weeds, San Francisco, 1971. L... Get access
in
West of Center: Art and the Counterculture Experiment in America, 1965-1977
>
Handmade Genders: Queer Costuming in San Francisco Circa 1970
Published: 23 January 2012
Figure 5.6
Some of the Cockettes at home relaxing in the weeds, San Francisco, 1971. Left to right: Pristine Condition, Marshall, Bobby, Danny Isley, Link Martin. Photograph copyright Fayette Hauser.
Image
Wehrman Home, Libre, Colorado, 1970. Copyright Roberta Price. Get access
in
West of Center: Art and the Counterculture Experiment in America, 1965-1977
>
Libre, Colorado, and the Hand-Built Home
Published: 23 January 2012
Figure 6.2
Wehrman Home, Libre, Colorado, 1970. Copyright Roberta Price.
