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Mise en abîme Mise en abîme
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Time extension: analogy and mise en abîme Time extension: analogy and mise en abîme
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Las Meninas and Hamlet Las Meninas and Hamlet
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Breath Breath
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Notes Notes
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6 Portrait of the artist en abîme
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Published:October 2023
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Abstract
This chapter considers Brisley’s use of mise en abîme, increasingly prominent in his late works, which cover performances, installations, photography, painting and film. By nesting references to prior works in new works, Brisley reactivates past performances, making them come alive once more in some way. Expanding on the implications of this practice, this chapter shows how mise-en-abîme can be used to reveal a past excluded from officially sanctioned representations of sovereignty. Parallels are drawn between Brisley’s late work and the use of mise en abîme in Velásquez’ Las Meninas and Shakespeare’s Hamlet. This chapter concludes by returning to the guiding questions of this book. Is there a way to re-experience the revolutionary past as an event with as yet undetermined outcomes? And what can performance art tell us about the debris left behind in the absence of collective transformation?
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