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This book tackles a subject that is seemingly inexhaustible, a moving target that developed, changed and adapted over the course of the project. During the years spent researching this material I frequently had the sense that the archive was everywhere, that just about every exhibition and every artwork was somehow connected to it, that everything could be read as an indication of an archival interest. If I have managed to avoid getting totally lost in the archives it is because I have been fortunate enough to have had a number of intelligent and engaged readers, conversation partners and guides throughout the process. My most enduring companions have been my colleagues and students at the Department of Culture and Aesthetics at Stockholm University and at Södertörn University. The trajectory and provenance of this book comes out of many stimulating conversations, challenging questions and the generous encouragement of many people. I have filed these in different sub-folders, some of which are bursting with energy and engagement, some thinner and more distilled, but all have helped make the writing of this book not just possible but also, for the most part, enjoyable.
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