
Published online:
22 September 2022
Published in print:
15 February 2022
Online ISBN:
9781526168252
Print ISBN:
9781526125163
Contents
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Reading and writing women’s art in France Reading and writing women’s art in France
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Splintered terrains: decolonization and global movements Splintered terrains: decolonization and global movements
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International terrain of ‘French feminisms’ International terrain of ‘French feminisms’
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The glissade: theory and structure The glissade: theory and structure
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‘Reviewing’ the feminine: literature and exhibitions ‘Reviewing’ the feminine: literature and exhibitions
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Structure Structure
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Notes Notes
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Cite
Balaram, Rakhee, 'Introduction', Counterpractice: Psychoanalysis, Politics and the Art of French Feminism (Manchester , 2022; online edn, Manchester Scholarship Online, 22 Sept. 2022), https://doi.org/10.7765/9781526125170.00007, accessed 8 May 2025.
Abstract
The introduction focuses on the category of ‘women artists’ in France, which is considered in light of the book’s title, Counterpractice. This chapter sheds light on the internationalism of the French women’s movement and presents a global view of French feminism as a brand with emphasis on Africa, Asia and Latin America. The history of the 1970s women’s press and the scholarship and exhibition histories concerning women artists are discussed. The core concept of the glissade is presented as a mechanism in which to read women’s art practice against multiple political and aesthetic contexts of the period.
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