British Rural Landscapes on Film
British Rural Landscapes on Film
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Abstract
British Rural Landscapes on Film offers wide-ranging critical insights into ways in which rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the contemporary period. The contributors to the book demonstrate that the countryside in Britain has provided a range of rich and dense spaces into which aspects of contested cultural identities have been projected. The essays in the book show how far British rural landscapes have performed key roles in a range of film genres including heritage, but also horror, art cinema, and children’s films. Films explored include Tawny Pipit (1944), A Canterbury Tale (1944), The Go-Between (1970), Blood on Satan’s Claw (1971), Another Time, Another Place (1983), On the Black Hill (1987), Wuthering Heights (2011), Jane Eyre (2011), and the Harry Potter and Nanny McPhee films. The book also includes new interviews with the filmmakers Gideon Koppel and Patrick Keiller. By focusing solely on rural landscapes, and often drawing on critical insight from art history and cultural geography, this book aims to transform our understanding of British cinema.
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Front Matter
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Introduction: approaching British rural landscapes on film
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1
Silent landscapes: rural settings, national identity and British silent cinema
Andrew Higson
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2
British landscapes in pre-Second World War film publicity
Paul Moody
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3
Rural imagery in Second World War British cinema
Tom Ryall
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4
‘An unlimited field for experiment’: Britain’s stereoscopic landscapes
Keith M. Johnston
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5
The figure (and disfigurement) in the landscape: The Go-Between’s picturesque
Mark Broughton
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6
‘Here is Wales, there England’: contested borders and blurred boundaries in On the Black Hill
Kate Woodward
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7
Where the land meets the sea: liminality, identity and rural landscape in contemporary Scottish cinema
Duncan Petrie
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8
Fantasy, fallacy and allusion: reconceptualising British landscapes through the lens of children’s cinema
Suzanne Speidel
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9
Picturesque, pastoral and dirty: uncivilised topographies in Jane Eyre and Wuthering Heights
Stella Hockenhull
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10
Folk horror and the contemporary cult of British rural landscape: the case of Blood on Satan’s Claw
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11
sleep furiously: interview with Gideon Koppel
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12
Film and the repossession of rural space: interview with Patrick Keiller
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End Matter
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