The Renaissance of emotion: Understanding affect in Shakespeare and his contemporaries
The Renaissance of emotion: Understanding affect in Shakespeare and his contemporaries
Lecturer and Fellow in the Shakespeare Institute
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Abstract
This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that stresses the dominance of the material, humoral body. The Renaissance of Emotion seeks to redress this balance by examining the ways in which early modern texts explore emotional experience from perspectives other than humoral medicine. The chapters in the book seek to demonstrate how open, creative and agency-ridden the experience and interpretation of emotion could be. Taken individually, the chapters offer much-needed investigations into previously overlooked areas of emotional experience and signification; taken together, they offer a thorough re-evaluation of the cultural priorities and phenomenological principles that shaped the understanding of the emotive self in the early modern period. The Renaissance of Emotion will be of particular interest to students and scholars of Shakespeare and Renaissance literature, the history of emotion, theatre and cultural history, and the history of ideas.
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Front Matter
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Introduction
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Part I The theology and philosophy of emotion
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1
The passions of Thomas Wright: Renaissance emotion across body and soul
Erin Sullivan
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2
‘The Scripture moveth us in sundry places’: framing biblical emotions in the Book of Common Prayer and the Homilies
David Bagchi
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3
‘This was a way to thrive’: Christian and Jewish eudaimonism in The Merchant of Venice
Sara Coodin
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4
Robert Burton, perfect happiness and the visio dei
Mary Ann Lund
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1
The passions of Thomas Wright: Renaissance emotion across body and soul
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Part II Shakespeare and the language of emotion
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Part III The politics and performance of emotion
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8
‘They that tread in a maze’: movement as emotion in John Lyly
Andy Kesson
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9
(S)wept from power: two versions of tyrannicide in Richard III
Ann Kaegi
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10
The affective scripts of early modern execution and murder
Frederika Bain
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11
Discrepant emotional awareness in Shakespeare
R. S. White andCiara Rawnsley
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Afterword
Peter Holbrook
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8
‘They that tread in a maze’: movement as emotion in John Lyly
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End Matter
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