Ekphrastic encounters: New interdisciplinary essays on literature and the visual arts
Ekphrastic encounters: New interdisciplinary essays on literature and the visual arts
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Abstract
This book offers a comprehensive reassessment of ekphrasis: the verbal representation of visual art. In the past twenty five years numerous books and articles have appeared covering different aspects of ekphrasis, with scholars arguing that it is a fundamental means by which literary artists have explored the nature of aesthetic experience. However many critics continue to rely upon the traditional conception of ekphrasis as a form of paragone (competition) between word and image. This interdisciplinary collection seeks to complicate this critical paradigm, and proposes a more reciprocal model of ekphrasis that involves an encounter or exchange between visual and textual cultures. This critical and theoretical shift demands a new form of ekphrastic poetics, which is less concerned with representational and institutional struggles, and more concerned with ideas of ethics, affect, and intersubjectivity. The book brings together leading scholars working in the fields of literary studies, art history, modern languages, and comparative literature, and offers a fresh exploration of ekphrastic texts from the Renaissance to the present day. The chapters in the book are critically and methodologically wide-ranging; yet they share an interest in challenging the paragonal model of ekphrasis that has been prevalent since the early 1990s, and establishing a new set of theoretical frameworks for exploring the ekphrastic encounter.
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Front Matter
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Introduction: from paragone to encounter
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Part I Early modern encounters
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1
‘Lamentable objects’: ekphrasis and historical materiality in Shakespeare’s The Rape of Lucrece
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2
‘Fabulously counterfeit’: ekphrastic encounters in Kyd’s The Spanish Tragedy
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3
‘Art indeed is long, but life is short’: ekphrasis and mortality in Andrew Marvell
- 4 ‘The Painter has made a finer Story than the Poet’: Jonathan Richardson’s ekphrastic ‘Dissertation’ on Poussin’s Tancred and Erminia
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1
‘Lamentable objects’: ekphrasis and historical materiality in Shakespeare’s The Rape of Lucrece
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Part II Nineteenth-century encounters
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5
Blind spots of narration? Ekphrasis and Laocoön digressions in the novel
- 6 The face of Beatrice Cenci
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7
Mirroring naturalism in word and image: a critical exchange between Émile Zola and Édouard Manet
- 8 Close encounters of the third kind: Hamo Thornycroft’s The Mower and Matthew Arnold’s ‘Thyrsis’
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5
Blind spots of narration? Ekphrasis and Laocoön digressions in the novel
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Part III Modern and postmodern encounters
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End Matter
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