
Contents
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Two Planting the flag and military planning in imperial Dakar: asymmetries, uncertainties, illusions
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Introduction Introduction
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Invented traditions, historiography and the contextual framework Invented traditions, historiography and the contextual framework
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Marché Kermel: looking for an appropriate style? Marché Kermel: looking for an appropriate style?
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A glimpse of neo-classicist Dakar: the style of the conqueror A glimpse of neo-classicist Dakar: the style of the conqueror
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Marché Kermel: finding an appropriate style? Marché Kermel: finding an appropriate style?
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The style of the protector: an architectural solution? The style of the protector: an architectural solution?
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A glimpse of marché Sandaga and neo-Sudanese Dakar A glimpse of marché Sandaga and neo-Sudanese Dakar
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Notes Notes
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Four The quest for architectural style for French West Africa: invented traditions and ideologies in colonial Dakar
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Published:April 2016
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Abstract
Insights into the French architectural agenda as implemented in Dakar in the interwar period are the subject of this chapter. It seems that drawing on Hobsbawm’s term ‘the invention of tradition’ is particularly useful for the analysis of the French colonial architectures in question, yet not without being aware of the historiography of this term and its problematic. Having been widely employed in historical and anthropological research regarding Africa, examples using ‘invented tradition’ from research in the arts and architecture of Africa are not abundant. These include almost exclusively references to French North Africa, particularly to the neo-Moorish buildings in Algeria, Morocco and Tunisia (style arabisance). The contribution of this chapter therefore lies in continuing this line of thought by expanding on the reciprocal relations between colonial forms and ideologies, and in the transnational application of these relations, that is into the territories of sub-Saharan Africa as well.
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