
Contents
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7.1 English nationalism 7.1 English nationalism
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7.2 Constructions of Englishness 7.2 Constructions of Englishness
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7.2.1 Englishness as historically rooted 7.2.1 Englishness as historically rooted
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7.2.2 Englishness within multicultural Britain 7.2.2 Englishness within multicultural Britain
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7.2.3 Englishness as internally variegated 7.2.3 Englishness as internally variegated
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7.2.4 Englishness as lost or beleaguered 7.2.4 Englishness as lost or beleaguered
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7.2.5 Englishness as a ‘melting pot’ 7.2.5 Englishness as a ‘melting pot’
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7.3 The Imagined Village: the roots and routes of Englishness 7.3 The Imagined Village: the roots and routes of Englishness
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7.4 Controversies and political engagements 7.4 Controversies and political engagements
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7.4.1 ‘Blacking up’ 7.4.1 ‘Blacking up’
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7.4.2 Folk Against Fascism 7.4.2 Folk Against Fascism
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7.5 Conclusion 7.5 Conclusion
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Notes Notes
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Cite
Abstract
This chapter focuses on English identity and its politics, analysing the versions of Englishness that can be found within the work of contemporary English folk artists, and their explicit and implicit political implications. It codifies a range of English identities under construction in the resurgence, examining Englishness as a historically rooted identity, Englishness within multicultural Britain, Englishness as a diverse and internally variegated identity, Englishness as a lost or beleaguered identity and Englishness as a ‘melting pot’ identity. The interconnection of these constructions is illustrated through a case study of the folk band The Imagined Village. The contested politics of the resurgence is examined through case studies such as the practice of ‘blacking up’ and the emergence of the Folk Against Fascism campaign.
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