#MeToo and Modernism
#MeToo and Modernism
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Abstract
#MeToo and Modernism opens new critical conversations about modernism and power, privilege, and patriarchy to uncover a united literary movement against sexual violence. This interdisciplinary collection of essays showcases how authors, whether purposely or not, identified ways to challenge patriarchal viewpoints regarding sexuality and gender and allowed readers different methods of interpretation for trauma narratives. #MeToo and Modernism expands the typical modernist archive by placing preeminent voices such as T. S. Eliot, James Joyce, and Virginia Woolf alongside those writers who otherwise may be overlooked, including people of color and queer or non-binary voices. By expanding current modernist histories to include further areas of exploration, particularly those challenging ideas of sexual abuse, sexual assault, rape, and other negative sexual experiences, the collection offers new links between traditional and often-unheard modernist voices and connects them with present-day survivors and listeners. This book identifies many ways in which to read, discuss, and instruct modernist works using the #MeToo lens. The volume is organized into four sections: a three-part chronological response in which contributors analyse literary understandings of how the tenets of the #MeToo movement appear in modernist literature, followed by a pedagogical section on how to incorporate such teachings in university classrooms.
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Front Matter
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Introduction: #MeToo and Modernism
Robin E. Field andJerrica Jordan
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I Questioning Modernist Misogyny
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One
“I’d have my life unbe”: Undoing Experience in Tess of the d’Urbervilles
Bailey Shaw
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Two
Muses and Misogyny in Decadent Modernism
Angie Blumberg
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Three
Defiant Martyrs, Repentant Sinners, and Pioneer Players: Translating and Transforming the Works of Hrotsvit of Gandersheim
Ben Lee Taylor
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Four
Ford’s Creepy Candor
Beci Carver
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One
“I’d have my life unbe”: Undoing Experience in Tess of the d’Urbervilles
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II #MeToo, Modernism, and Trauma
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Five
Locating Women’s Shared Trauma and Precursors to the #MeToo Movement in Virginia Woolf’s The Voyage Out and Moments of Being
Ellen Campbell
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Six
The Phonograph as Witness: New Media’s #MeToo Evolution
Zan Cammack
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Seven
Street Harassment in Wells, Joyce, and Woolf
Candis E. Bond
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Eight
“full yell of full woman, delight, joy, indignation”: Women Out-Spoken in Joyce’s Ulysses
Michael Levenson
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Five
Locating Women’s Shared Trauma and Precursors to the #MeToo Movement in Virginia Woolf’s The Voyage Out and Moments of Being
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III Aftermath: Outrage and Its Reactions
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Nine
Modernist Memoir and the Social Structures of Sexual Violence
Emma Heaney
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Ten
What Happened in the Cane? A Rereading of Jean Toomer’s “Fern”
Samantha Wallace
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Eleven
Histories of Rape Resistance: Revolution in Ann Petry’s The Street
Jerrica Jordan
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Twelve
Why All Rape is Interracial: Wide Sargasso Sea and the Possibility of Feminist Solidarity
Carine Mardorossian
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Nine
Modernist Memoir and the Social Structures of Sexual Violence
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IV #MeToo Modernist Pedagogy
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Thirteen
Rescuing Women from Historical Amnesia: How Three Twenty-First-Century TV Series Address #MeToo and Foreground the Role of Women in the Twentieth Century
Daniel R. Schwarz
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Fourteen
#MeToo vs. Modernism in the Classroom
Cara L. Lewis
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Fifteen
“Equally, if you stop to laugh”: Teaching the Humor of A Room of One’s Own in the #MeToo Classroom
Lauryl Tucker
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Thirteen
Rescuing Women from Historical Amnesia: How Three Twenty-First-Century TV Series Address #MeToo and Foreground the Role of Women in the Twentieth Century
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End Matter
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