The Thing About Roy Fisher: Critical Studies
The Thing About Roy Fisher: Critical Studies
Cite
Abstract
The Thing About Roy Fisher, edited by John Kerrigan and Peter Robinson, brings together critical essays that aim to increase the awareness of the literature produced by Roy Fisher during his forty year writing career. The following studies offer analytical research that focus on the historical context and influences surrounding Fisher’s writing, including the writer’s block he experienced in the late 1960s and his personal relationship to the city of Birmingham. The text also makes a comment on the work’s reception from both critical and public opinion and measures how well Fisher’s poetry is considered today. As well as providing contextual and factual detail, the book also concentrates on an assessment of Fisher’s varied poetic style, a manner of writing that only highlights the poet’s decision to reject the constraints of British lyrical poetry of the time, and outlines the recurring motifs and crossed boundaries present in his poetry.
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Front Matter
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Introduction
Peter Robinson
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1
Roy Fisher on Location
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2
'Menacing Works in my Isolation': Early Pieces
James Keery
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3
The Work of a Left-Handed Man
John Lucas
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4
Osmotic Investigations and Mutant Poems: An Americanist Poetic
Ian F. A. Bell andMeriel Lland
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5
'Making Forms with Remarks': The Prose
Robert Sheppard
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6
Cutting-Edge Poetics: Roy Fisher's 'Language Book'
Marjorie Perloff
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7
A Burning Monochrome: Fisher's Block
Simon Jarvis
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8
'The Secret Laugh of the World'
Ian Sansom
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9
'Exhibiting Unpreparedness': Self, World, and Poetry
Michael O'neill
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10
'Coming into their Own': Roy Fisher and John Cowper Powys
Ralph Pite
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11
A Furnace and the Life of the Dead
Clair Wills
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12
Last Things
Peter Robinson
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End Matter
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