British Women's Writing, 1930 to 1960: Between the Waves
British Women's Writing, 1930 to 1960: Between the Waves
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Abstract
British Women Writers 1930 – 1960: Between the Waves contributes to the vital recuperative work on mid-twentieth century writing by and for women. Fourteen original essays from leading academics and emerging critical voices shed new light on writers commonly dismissed as middlebrow in their concerns and conservative in their styles and politics. The essays showcase the stylistic, cultural and political vitality of the fiction, non-fiction, drama, poetry and journalism of a selection authors including Vera Brittain, Storm Jameson, Nancy Mitford, Phyllis Shand Allfrey, Rumer Godden, Attia Hosain, Doris Lessing, Kamala Markandaya, Susan Ertz, Marghanita Laski, Elizabeth Bowen, Edith Pargeter, Eileen Bigland, Nancy Spain, Vera Laughton Matthews, Pamela Hansford Johnson, Dorothy Whipple, Elizabeth Taylor, Daphne du Maurier, Barbara Comyns, Shelagh Delaney, Stevie Smith and Penelope Mortimer. The neologism ‘interfeminism’, coined to partner Kristin Bluemel’s ‘intermodernism’, locates this group chronologically and ideologically between two ‘waves’ of feminism, whilst forging connections between the political and cultural monoliths which have traditionally overshadowed its members. Drawing attention to the strengths of this ‘out-of-category’ writing, the volume also highlights how intersecting discourses of gender, class and society in the inter- and post- bellum anticipate the bold reassessments of female subjectivity that characterize second and third wave feminism. Exploration of popular women’s magazines of the period, and new archival material, add an innovative dimension to this study of the literature of a volatile and transformative period of British social and cultural history.
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Front Matter
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Introduction
Sue Kennedy andJane Thomas
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Part I Visions of ‘This Island’, 1930–1960
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Part II Women Bearing Witness: The Temperature of War
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Four
‘The Lure of Pleasure’: Sex and the Married Girl in Marghanita Laski’s To Bed with Grand Music (1946)
Sue Kennedy
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Five
Supporting and Resisting the Myth of the Blitz: Ambiguity in Susan Ertz’s Anger in the Sky (1943)
Lola Serraf
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Six
The Ambivalence of Testimony in Elizabeth Bowen’s: The Heat of the Day (1948)
Ana Ashraf
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Seven
Re-presenting Wrens: Nancy Spain’s Thank You – Nelson (1945), Eileen Bigland’s The Story of the WRNS (1946), Vera Laughton Matthews’s Blue Tapestry (1948) and Edith Pargeter’s She Goes to War (1942)
Chris Hopkins
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Four
‘The Lure of Pleasure’: Sex and the Married Girl in Marghanita Laski’s To Bed with Grand Music (1946)
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Part III Women Writing Men: Interwar, War and Aftermath
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Eight
‘We Must Feed the Men’: Pamela Hansford Johnson and the Negotiation of Postwar Guilt
Gill Plain
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Nine
Men of the House: Oppressive Husbands and Displaced Wives in Interwar, War and Postwar Women’s Fiction (Daphne du Maurier, Dorothy Whipple, Elizabeth Taylor)
Lucy Hall
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Ten
British Women Writing War: The Novels of Storm Jameson
Katherine Cooper
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Eight
‘We Must Feed the Men’: Pamela Hansford Johnson and the Negotiation of Postwar Guilt
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Part IV New Realities for Women: A Forward Glance
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Eleven
Barbara Comyns and New Directions in Women’s Writing
Nick Turner
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Twelve
A New Reality: Shelagh Delaney’s A Taste of Honey (1958)
Maria Elena Capitani
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Thirteen
Stevie Smith: Poetry and Personality
James Underwood
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Fourteen
‘Whoever She Was’: Penelope Mortimer, Beyond the Feminine Mystique
Jane Thomas
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Eleven
Barbara Comyns and New Directions in Women’s Writing
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End Matter
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