E. T. A. Hoffman: Transgressive Romanticism
E. T. A. Hoffman: Transgressive Romanticism
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Abstract
This collection of essays addresses a very broad range of Hoffmann’s most significant works, examining them through the lens of “transgression.” Transgression bears relevance to E. T. A. Hoffmann’s life and professions in 3 ways. First, his official career path was that of jurisprudence; he was active as a lawyer, a judge and eventually as one of the most important magistrates in Berlin. Second, his personal life was marked by numerous conflicts with political and social authorities. Seemingly no matter where he went, he experienced much chaos, grief and impoverishment in leading his always precarious existence. Third, his works explore characters and concepts beyond the boundaries of what was considered aesthetically acceptable. “Normal” bourgeois existence was often juxtaposed to the lives of criminals, sinners, and other deviants, both within the spaces of the known world as well as in supernatural realms. He, perhaps more than any other author of the German Romantic movement, regularly portrayed the dark side of existence in his works, including unconscious psychological phenomena, nightmares, somnambulism, vampirism, mesmerism, Doppelgänger, and other forms of transgressive behavior. It is the intention of this volume to provide a new look at Hoffmann’s very diverse body of work from numerous perspectives, stimulating interest in Hoffmann in English language audiences.
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Front Matter
- Introduction
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I Transgression and Institutions
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One
“A poor, imprisoned animal.” Persons, Property, and the Unnatural Nature of the Law in E.T.A. Hoffmann’s “Das Majorat”
Alexander Schlutz
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Two
Vergiftete Gaben: Violating the Laws of Hospitality in E.T.A. Hoffmann’s “Das Fräulein von Scuderi”
Peter Erickson
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Three
Transgressive Science in E.T.A. Hoffmann’s Fantastic Tales
Paola Mayer
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One
“A poor, imprisoned animal.” Persons, Property, and the Unnatural Nature of the Law in E.T.A. Hoffmann’s “Das Majorat”
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Part II Transgression and the Arts
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Four
E.T.A. Hoffmann and the Bamberg Theater
Frederick Burwick
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Five
Transitions and Slippages of Mimesis in E.T.A. Hoffmann’s “Der goldene Topf,” “Die Fermate,” and “Das öde Haus”
Beate Allert
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Six
Transgressions: On the (De-)Figuration of the Vampire in E.T.A. Hoffmann’s “Vampyrismus”
Nicole A. Sütterlin
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Four
E.T.A. Hoffmann and the Bamberg Theater
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Part III Transgression in the Märchen
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Part IV Transgression of Reception in Kater Murr
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End Matter
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