Frères Ennemis: The French in American Literature, Americans in French Literature
Frères Ennemis: The French in American Literature, Americans in French Literature
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Abstract
Frères Ennemis focuses on Franco-American tensions as portrayed in works of literature. An Introduction is followed by nine chapters, each centred on a French or American literary text which shows the evolution/devolution of the relations between the two nations at a particular point in time. While the heart of the analysis consists of close textual readings, social, cultural and political contexts are introduced to provide a better understanding of the historical reality influencing the individual novels, a reality to which these novels are also responding. Chapters One through Five, covering a period from the mid-1870s to the end of the Cold War, discuss significant aspects of the often fraught relationship in part from the theoretical perspective of Roland Barthes’ theory of modern myth, described in his Mythologies. Barthes’ theory helps situate Franco-American tensions in a paradigmatic structure, which remains supple enough to allow for shifts and reversals within the paradigm. Subsequent chapters explore new French attitudes toward the powerful, potentially dominant influence of American culture on French life. In these sections I argue that recent French fiction displays more openness to the American experience than has existed in the past, and contrast this overture to the new with the relatively static, even indifferent attitude of American writers toward French literature.
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Front Matter
- Introduction: A Clash of the Comparable
- I The Creation of the American in Paris: The American
- II The Splendor and Misery of the American Scientist: L’Ève future
- III The American Woman and the Invention of Paris: The Custom of the Country
- IV The Expatriate Idyll: The Sun Also Rises
- V Truths and Delusions: The Cold War in Les Mandarins
- VI Embracing American Culture: Cherokee
- VII An American Excursion into French Fiction: The Book of Illusions
- VIII Rerouting: Ça n’existe pas l’Amérique
- IX L’Américaine in Paris: Le Divorce
- Conclusion: Stasis and Movement
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End Matter
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