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Enjoyably Horrifying
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Eric M Studt SJ
The Journal of Aesthetics and Art Criticism, kpaf006, https://doi.org/10.1093/jaac/kpaf006
Published: 05 May 2025
Journal Article
Why Record Shops Matter Aesthetically: A Case Study in Aesthetic Institutions
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Brandon Polite and Aaron Meskin
The Journal of Aesthetics and Art Criticism, kpaf014, https://doi.org/10.1093/jaac/kpaf014
Published: 18 April 2025
Journal Article
Overwhelming Perfection: A Defense of Addison’s Account of the Sublime
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R Kathleen Harbin
The Journal of Aesthetics and Art Criticism, kpaf013, https://doi.org/10.1093/jaac/kpaf013
Published: 18 April 2025
Journal Article
How Do You Remember What You Don’t Remember? Other Stories/Historias Bravas by Koyoltzintli
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Mariana Ortega
The Journal of Aesthetics and Art Criticism, kpaf012, https://doi.org/10.1093/jaac/kpaf012
Published: 14 April 2025
Journal Article
Contributors
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The Journal of Aesthetics and Art Criticism, Volume 83, Issue 1, Winter 2025, Page 99, https://doi.org/10.1093/jaac/kpaf010
Published: 12 April 2025
Journal Article
Note from the Editors
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The Journal of Aesthetics and Art Criticism, Volume 83, Issue 1, Winter 2025, Pages 1–3, https://doi.org/10.1093/jaac/kpaf011
Published: 12 April 2025
Journal Article
Introduction to Symposium on Latinx Aesthetics
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Gemma Argüello Manresa
The Journal of Aesthetics and Art Criticism, kpaf008, https://doi.org/10.1093/jaac/kpaf008
Published: 02 April 2025
Journal Article
Transnational Art: Crossing the Borders Between the Two Americas
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Gemma Argüello Manresa
The Journal of Aesthetics and Art Criticism, kpaf007, https://doi.org/10.1093/jaac/kpaf007
Published: 02 April 2025
Journal Article
Musical Meaning and Authentic Work Performance: Three Dilemmas for the Interpretive Authenticist
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Andrew Kania
The Journal of Aesthetics and Art Criticism, kpaf005, https://doi.org/10.1093/jaac/kpaf005
Published: 15 March 2025
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The fanfare from Beethoven’s Fifth Symphony, first movement, at the opening...
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Published: 15 March 2025
Figure 1.
The fanfare from Beethoven’s Fifth Symphony, first movement, at the opening of the second part of the recapitulation (mm. 303–7)
Journal Article
Magic, Alief, and Make-Believe
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Dan Cavedon-Taylor
The Journal of Aesthetics and Art Criticism, Volume 83, Issue 1, Winter 2025, Pages 88–92, https://doi.org/10.1093/jaac/kpaf002
Published: 14 March 2025
Journal Article
Magic, Illusion, and Alief: a Reply to Cavedon-Taylor
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Jason Leddington
The Journal of Aesthetics and Art Criticism, Volume 83, Issue 1, Winter 2025, Pages 93–98, https://doi.org/10.1093/jaac/kpaf004
Published: 14 March 2025
Journal Article
Change is Central to Perfume Appreciation
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Madeline Martin-Seaver
The Journal of Aesthetics and Art Criticism, kpaf003, https://doi.org/10.1093/jaac/kpaf003
Published: 03 March 2025
Journal Article
Walking the Path of Taste: On the Kantian Roots of José Vasconcelos’s Aesthetics
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Juan Carlos González
The Journal of Aesthetics and Art Criticism, Volume 83, Issue 1, Winter 2025, Pages 12–27, https://doi.org/10.1093/jaac/kpaf001
Published: 01 March 2025
Journal Article
Contributors
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The Journal of Aesthetics and Art Criticism, Volume 82, Issue 4, Fall 2024, Pages 471–472, https://doi.org/10.1093/jaac/kpae054
Published: 18 February 2025
Journal Article
Black and Latinx hermeneutical resources, hip hop music and white supremacy
Eric Bayruns García
The Journal of Aesthetics and Art Criticism, Volume 83, Issue 1, Winter 2025, Pages 42–59, https://doi.org/10.1093/jaac/kpae046
Published: 29 January 2025
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Nine Patriotic Hymns for Children by Born Against (1991) , In...
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Published: 24 January 2025
Figure 1
Nine Patriotic Hymns for Children by Born Against (1991) , In a Car by Meat Puppets (1981) , and Damaged (1981) by Black Flag. 170 × 58mm (144 × 144 DPI).
Journal Article
Hardcore Music Ontologies
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Tim Mahoney
The Journal of Aesthetics and Art Criticism, Volume 83, Issue 1, Winter 2025, Pages 71–87, https://doi.org/10.1093/jaac/kpae051
Published: 24 January 2025
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Ever Feel Like Killing Your Boss? by Feederz (1986) 132 × 134mm ...
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Published: 24 January 2025
Figure 3
Ever Feel Like Killing Your Boss? by Feederz (1986) 132 × 134mm (144 × 144 DPI).
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Why by Discharge (1981) 75 × 74mm (144 × 144 DPI).
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Published: 24 January 2025
Figure 2
Why by Discharge (1981) 75 × 74mm (144 × 144 DPI).
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