
Contents
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Gender and Generic Surface Gender and Generic Surface
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Bigelow, Point Break, and Gendered Cultural Value Bigelow, Point Break, and Gendered Cultural Value
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The Value of Repetition The Value of Repetition
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Gender Equivalence Gender Equivalence
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“100% Pure Adrenaline” “100% Pure Adrenaline”
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Caught-Up-Ness, or Problems of Aesthetic Distance Caught-Up-Ness, or Problems of Aesthetic Distance
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Conclusion Conclusion
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Notes Notes
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4 100% Pure Adrenaline: Gender and Generic Surface in Point Break
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Published:January 2012
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Abstract
This chapter analyzes the quintessential action movie, Point Break (1991), arguing that we experience the film as generic surface. Despite critical efforts to construct the film as a creative play with masculinity or with the action genre, the film remains culturally and politically ambivalent. As is often noted, Point Break repeats the “vessel” of the action genre without rupture, spillage, or slippage. In this sense, Point Break expresses an awareness of its cultural/commercial form by filling out the homosocial trope latent in the action genre's intense male relationships and fetishization of the male body. However, at no point does it seek to exceed, parody, ironize, or reflect upon its genre. The fullness that this produces is a flatness: a surface. This surface is not a negative construction but provides a way to address the network of relations between film, audience, and industry.
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