Sinoglossia
Sinoglossia
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Abstract
Sinoglossia places the terms of embodiment, mediality, and translation at the center of analytical inquiry into Chinese and Sinophone cultures. Converging in the rubric of Sinoglossia, the chapters in this volume introduce a theory defined by cultural formations not overdetermined by Sinitic linguistic ties. The concept of Sinoglossia combines a heteroglossic and a heterotopian approach to the critical study of mediated discourses of China and Chineseness. From the history of physical examinations and queer subalternity to the cinematic inscription of Chineseness-as-landscape, and from Sinopop to the translational writings of Eileen Chang and Syaman Rapongan, this book argues for a flexible conceptualization of cultural objects, conditions, and contexts that draws attention to an array of polyphonic, multi-discursive, and multilingual articulations. In this new horizon of understanding, place or topos necessarily constitutes the possibility of friction and source of innovation.
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Front Matter
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Introduction
Andrea Bachner and others
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Part I Corporeality
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1
Inspecting Bodies, Crafting Subjects: The Physical Examination in Republican China
Jia-Chen Fu
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2
Therapeutic Humanism in Hou Chun-Ming’s Art: Queer Mimesis, Subaltern Souls, and the Body as Vessel in Sinoglossiac Taiwan
Howard Chiang
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3
What Does an Open Body Say? The Body and the Cold War in the Early 1980s Theater of Taiwan
Chun-yen Wang
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1
Inspecting Bodies, Crafting Subjects: The Physical Examination in Republican China
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Part II Media
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4
Landscape of Words: Romance on Lushan Mountain (1980) and Sinoglossia as Delimitation
Paola Iovene
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5
Sinopop: The Case of Namewee/Wee Meng Chee
E. K. Tan
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6
Chinese Writing, Heptapod B, and Martian Script: The Ethnocentric Bases of Language
Carlos Rojas
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7
The Techne of Listening: Toward a Theory of “Chinese” Sound
Junting Huang
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4
Landscape of Words: Romance on Lushan Mountain (1980) and Sinoglossia as Delimitation
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Part III Translation
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Part IV Conclusions: Theoretical Interventions
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End Matter
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