
Michael Keane
et al.
Published online:
14 September 2011
Published in print:
01 February 2007
Online ISBN:
9789882207219
Print ISBN:
9789622098206
Contents
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The IP Equation The IP Equation
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Legal Instruments and Institutions Legal Instruments and Institutions
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The Asian Copyists The Asian Copyists
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Concluding Remarks: Where to for Certainty? Concluding Remarks: Where to for Certainty?
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Cite
Keane, Michael, Anthony Fung, and Albert Moran, 'Adaptation, Imitation, and Innovation', New Television, Globalisation, and the East Asian Cultural Imagination (Hong Kong , 2007; online edn, Hong Kong Scholarship Online, 14 Sept. 2011), https://doi.org/10.5790/hongkong/9789622098206.003.0011, accessed 8 May 2025.
Abstract
This chapter focuses on the legal mechanisms for protecting TV-program formats. The practice of imitation in media industries has led the way in policing copyright protection. When writers of TV formats, producers, or broadcasters seek to protect their investment, they have to rely on cobbling together a jigsaw of pieces drawn from different areas of intellectual property law. In particular, format protection has been sought through four legal instruments: copyright, breach of confidence, passing-off, and an assortment of law to do with trademarks, patents, and so on.
Keywords:
TV program, copyright protection, intellectual property, format protection, copyright, breach of protection, trademarks
Subject
Television
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