Volume 51, Issue 1
February 2023
Cover image
Cover image
The front covers of volumes 1–14 of Early Music
ISSN 0306-1078
EISSN 1741-7260
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Volume 51, Issue 1, February 2023
Editorial
Editorial
Early Music, Volume 51, Issue 1, February 2023, Pages 1–2, https://doi.org/10.1093/em/caad008
Early Music at 50
Early Music and materiality—1
Early Music, Volume 51, Issue 1, February 2023, Pages 3–9, https://doi.org/10.1093/em/caac070
Early Music and materiality—2
Early Music, Volume 51, Issue 1, February 2023, Pages 10–14, https://doi.org/10.1093/em/caac073
When the CD was king: reminiscences of a Reviews Editor
Early Music, Volume 51, Issue 1, February 2023, Pages 15–16, https://doi.org/10.1093/em/caac069
The evolution of Early Music
Early Music, Volume 51, Issue 1, February 2023, Pages 17–18, https://doi.org/10.1093/em/caac071
Very early music in Early Music
Early Music, Volume 51, Issue 1, February 2023, Pages 19–20, https://doi.org/10.1093/em/caac072
Articles
Music, Gender and the Erotic in Italian Visual Culture of the 16th Century
Music, gender and the erotic in Italian visual culture of the 16th century: introduction
Early Music, Volume 51, Issue 1, February 2023, Pages 21–24, https://doi.org/10.1093/em/caad003
Will she or won’t she? The ambivalence of female musicianship in two paintings by Bernardino Licinio (1489–1565)
Early Music, Volume 51, Issue 1, February 2023, Pages 25–38, https://doi.org/10.1093/em/caac056
‘With the base Viall placed between my Thighes’: musical instruments and sexual subtext in Titian’s Venus with musician series
Early Music, Volume 51, Issue 1, February 2023, Pages 39–52, https://doi.org/10.1093/em/caac057
Madrigal or canzona? Performing intellectual and sensual pleasure in Jacopo Tintoretto’s Women making music
Early Music, Volume 51, Issue 1, February 2023, Pages 53–68, https://doi.org/10.1093/em/caac063
Music and love in Sigismondo Fanti’s Triompho di Fortuna (1527)
Early Music, Volume 51, Issue 1, February 2023, Pages 69–90, https://doi.org/10.1093/em/caac068
Transcending the body: music, chastity and ecstasy in Reni’s St Cecilia playing the violin
Early Music, Volume 51, Issue 1, February 2023, Pages 91–108, https://doi.org/10.1093/em/caac067
Musical instruments in the Venetian home: contextualizing Marietta Robusti’s self-portrait
Early Music, Volume 51, Issue 1, February 2023, Pages 109–115, https://doi.org/10.1093/em/caac074
An alluring sight of music: the musical ‘courtesan’ in the Cinquecento
Early Music, Volume 51, Issue 1, February 2023, Pages 116–125, https://doi.org/10.1093/em/caac078
Early Music at 50
‘As unknown to me as a Bohemian village’: a retrospective of Czech Baroque music in recordings
Early Music, Volume 51, Issue 1, February 2023, Pages 126–134, https://doi.org/10.1093/em/caac075
Book & Music Reviews
Hildegard’s Gesamtkunstwerk
Early Music, Volume 51, Issue 1, February 2023, Pages 135–137, https://doi.org/10.1093/em/caad005
Prosulas in theory and practice
Early Music, Volume 51, Issue 1, February 2023, Pages 137–139, https://doi.org/10.1093/em/caad004
Patterns of devotion in Britain and Ireland
Early Music, Volume 51, Issue 1, February 2023, Pages 139–140, https://doi.org/10.1093/em/caad006
Music markets in Georgian Britain
Early Music, Volume 51, Issue 1, February 2023, Pages 140–142, https://doi.org/10.1093/em/caad007
Dido restor’d
Early Music, Volume 51, Issue 1, February 2023, Pages 142–144, https://doi.org/10.1093/em/caac080
Record Reviews
Freynshe fare
Early Music, Volume 51, Issue 1, February 2023, Pages 145–147, https://doi.org/10.1093/em/caac082
Lavish sounds of early modern Italy
Early Music, Volume 51, Issue 1, February 2023, Pages 148–150, https://doi.org/10.1093/em/caac084
‘The most principall and chiefest kind of musicke’
Early Music, Volume 51, Issue 1, February 2023, Pages 150–153, https://doi.org/10.1093/em/caac083
Abstracts
Abstracts
Early Music, Volume 51, Issue 1, February 2023, Pages 154–156, https://doi.org/10.1093/em/caad031
