Issue navigation
Volume 40, Issue 2, May 2012
Editorial
Editorial
María Gembero-Ustárroz and Emilio Ros-Fábregas
Early Music, Volume 40, Issue 2, May 2012, Page 175, https://doi.org/10.1093/em/cas049
Article
‘Imagine all the people. . .’: polyphonic flowers in the hands and voices of Indians in 16th-century Mexico
Emilio Ros-Fábregas
Early Music, Volume 40, Issue 2, May 2012, Pages 177–189, https://doi.org/10.1093/em/cas043
Women as dedicatees of artes de canto in the early modern Iberian world: imposed knowledge or women’s choice?
Ascensión Mazuela-Anguita
Early Music, Volume 40, Issue 2, May 2012, Pages 191–207, https://doi.org/10.1093/em/cas038
Lo que un cantor debe saber: the Italian school of singing in Spanish music treatises, 1754–1799
María del Coral Morales Villar
Early Music, Volume 40, Issue 2, May 2012, Pages 209–221, https://doi.org/10.1093/em/cas057
¿Qué quita a lo noble un airecito de maja? National and gender identities in the zarzuela Clementina (1786) by Luigi Boccherini and Ramón de la Cruz
Juan Pablo Fernández-Cortés
Early Music, Volume 40, Issue 2, May 2012, Pages 223–236, https://doi.org/10.1093/em/cas046
Integrating musical Otherness in a new social order: indigenous music from Moxos, Bolivia, under Spanish Governor Lázaro de Ribera (r.1786–1792)
María Gembero-Ustárroz
Early Music, Volume 40, Issue 2, May 2012, Pages 237–251, https://doi.org/10.1093/em/cas045
Performance in San Marco: a picture and two puzzles
Frederick Hammond
Early Music, Volume 40, Issue 2, May 2012, Pages 253–264, https://doi.org/10.1093/em/cas052
Deus ex machina: a royal witness to the court origin of Purcell’s Dido and Aeneas
Andrew Pinnock
Early Music, Volume 40, Issue 2, May 2012, Pages 265–278, https://doi.org/10.1093/em/cas047
Time management at Turin’s Teatro Regio: Galuppi’s La clemenza di Tito and its alterations, 1759
Margaret R. Butler
Early Music, Volume 40, Issue 2, May 2012, Pages 279–289, https://doi.org/10.1093/em/cas039
Observation
The singularity of Alfred Deller (1912–1979)
Nicholas Clapton
Early Music, Volume 40, Issue 2, May 2012, Pages 291–296, https://doi.org/10.1093/em/cas040
Article
Beethoven’s five-part scherzos: appearance and reality
Jonathan Del Mar
Early Music, Volume 40, Issue 2, May 2012, Pages 297–305, https://doi.org/10.1093/em/cas048
Book Review
The Mass as poetry
Kate Helsen
Early Music, Volume 40, Issue 2, May 2012, Pages 307–308, https://doi.org/10.1093/em/cas042
Mapping medieval music
Lisa Colton
Early Music, Volume 40, Issue 2, May 2012, Pages 308–310, https://doi.org/10.1093/em/cas041
Machaut in three dimensions
David Maw
Early Music, Volume 40, Issue 2, May 2012, Pages 310–313, https://doi.org/10.1093/em/cas035
Cherished chansonniers
Helen Deeming
Early Music, Volume 40, Issue 2, May 2012, Pages 313–315, https://doi.org/10.1093/em/cas033
Renaissance theory in practice
Richard Wistreich
Early Music, Volume 40, Issue 2, May 2012, Pages 315–318, https://doi.org/10.1093/em/cas037
The soft touch
David Ledbetter
Early Music, Volume 40, Issue 2, May 2012, Pages 318–319, https://doi.org/10.1093/em/cas034
Biblical music reconsidered
Jeremy Montagu
Early Music, Volume 40, Issue 2, May 2012, Pages 319–320, https://doi.org/10.1093/em/cas036
Music review
Motets and prosulas from the Notre Dame school
Eleanor Rutherford
Early Music, Volume 40, Issue 2, May 2012, Pages 321–322, https://doi.org/10.1093/em/cas044
Copious concertos by C. P. E. Bach
Francis Knights
Early Music, Volume 40, Issue 2, May 2012, Pages 323–324, https://doi.org/10.1093/em/cas055
Recording review
Italian (and related) instrumental music of the 17th century
David R. M. Irving
Early Music, Volume 40, Issue 2, May 2012, Pages 325–328, https://doi.org/10.1093/em/cas053
Venus, Adonis and Orpheus in England: sacred and secular music from the fairest isle
Andrew H. King
Early Music, Volume 40, Issue 2, May 2012, Pages 328–331, https://doi.org/10.1093/em/cas054
A trove of Telemann
Steven Zohn
Early Music, Volume 40, Issue 2, May 2012, Pages 331–337, https://doi.org/10.1093/em/cas060
Mattheson oratorios and suites
Eric Cross
Early Music, Volume 40, Issue 2, May 2012, Pages 337–339, https://doi.org/10.1093/em/cas051
Existing threads and new leads in the Romantic repertory
Rohan Stewart-MacDonald
Early Music, Volume 40, Issue 2, May 2012, Pages 339–343, https://doi.org/10.1093/em/cas056
The Deller centenary
Francis Knights
Early Music, Volume 40, Issue 2, May 2012, Pages 343–345, https://doi.org/10.1093/em/CAS059
Old meets new: ‘an encounter that creates eagerness’
Kim Ashton
Early Music, Volume 40, Issue 2, May 2012, Pages 345–348, https://doi.org/10.1093/em/cas058
Report
Dancing in Oxford
Jasmine Chiu
Early Music, Volume 40, Issue 2, May 2012, Pages 349–351, https://doi.org/10.1093/em/cas063
Music and death before 1650
Thomas J. D. Neal
Early Music, Volume 40, Issue 2, May 2012, Page 349, https://doi.org/10.1093/em/cas065
Obituary
Montserrat Figueras
Tess Knighton
Early Music, Volume 40, Issue 2, May 2012, Page 352, https://doi.org/10.1093/em/cas066
News
News and Events
Early Music, Volume 40, Issue 2, May 2012, Pages 353–355, https://doi.org/10.1093/em/cas082
Abstracts
Abstracts
Early Music, Volume 40, Issue 2, May 2012, Pages 356–359, https://doi.org/10.1093/em/cas092
Index
Advertisers’ index
Early Music, Volume 40, Issue 2, May 2012, Page 359, https://doi.org/10.1093/em/cas093
Advertisement
Advertisement