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Volume 40, Issue 1, February 2012
Editorial
Editorial
Early Music, Volume 40, Issue 1, February 2012, Pages 1–2, https://doi.org/10.1093/em/cas032
Text and motif c.1500: a new approach to text underlay
Early Music, Volume 40, Issue 1, February 2012, Pages 3–14, https://doi.org/10.1093/em/cas019
Love in the music room: Thomas Whythorne and the private affairs of Tudor music tutors
Early Music, Volume 40, Issue 1, February 2012, Pages 15–26, https://doi.org/10.1093/em/cas017
Adapting an adaptation: Martin Opitz’s Dafne among the Italians
Early Music, Volume 40, Issue 1, February 2012, Pages 27–44, https://doi.org/10.1093/em/car119
‘Memento mori Froberger?’ Locating the self in the passage of time
Early Music, Volume 40, Issue 1, February 2012, Pages 45–54, https://doi.org/10.1093/em/car121
Harpsichords and spinets in late Baroque Rome
Early Music, Volume 40, Issue 1, February 2012, Pages 55–72, https://doi.org/10.1093/em/cas023
Did Haydn attend the Handel Commemoration in Westminster Abbey?
Early Music, Volume 40, Issue 1, February 2012, Pages 73–80, https://doi.org/10.1093/em/car116
OBSERVATIONS
High clefs and down-to-earth transposition: a brief defence of Monteverdi
Early Music, Volume 40, Issue 1, February 2012, Pages 81–86, https://doi.org/10.1093/em/cas028
Was Frescobaldi a chameleonic scribe?
Early Music, Volume 40, Issue 1, February 2012, Pages 87–90, https://doi.org/10.1093/em/cas029
Performing Matters
Inequality in Alessandro Scarlatti and Handel: a sequel
Early Music, Volume 40, Issue 1, February 2012, Pages 91–110, https://doi.org/10.1093/em/cas018
Banking on Brahms’s tempos: a literalist look at the Italian terminology in his Variations on a theme by Haydn
Early Music, Volume 40, Issue 1, February 2012, Pages 111–118, https://doi.org/10.1093/em/car120
Book Reviews
One song to the tune of another
Early Music, Volume 40, Issue 1, February 2012, Pages 119–120, https://doi.org/10.1093/em/cas011
Shakespeare, sound and sense
Early Music, Volume 40, Issue 1, February 2012, Pages 120–122, https://doi.org/10.1093/em/cas014
The English abroad
Early Music, Volume 40, Issue 1, February 2012, Pages 122–123, https://doi.org/10.1093/em/cas016
Women travellers
Early Music, Volume 40, Issue 1, February 2012, Pages 123–125, https://doi.org/10.1093/em/cas013
Contrapuntal colonialism in the Philippines
Early Music, Volume 40, Issue 1, February 2012, Pages 125–126, https://doi.org/10.1093/em/cas001
Music reviews
Thomas Mulliner revived
Early Music, Volume 40, Issue 1, February 2012, Pages 127–128, https://doi.org/10.1093/em/car123
From ballet de cour to tragédie en musique
Early Music, Volume 40, Issue 1, February 2012, Pages 128–130, https://doi.org/10.1093/em/cas006
Heav’nly harmony
Early Music, Volume 40, Issue 1, February 2012, Pages 130–132, https://doi.org/10.1093/em/car122
The Caledonian lute
Early Music, Volume 40, Issue 1, February 2012, Pages 132–134, https://doi.org/10.1093/em/cas004
C. P. E. Bach's Passions
Early Music, Volume 40, Issue 1, February 2012, Pages 134–136, https://doi.org/10.1093/em/cas008
Recording Reviews
Renaissance sacred vocal music
Early Music, Volume 40, Issue 1, February 2012, Pages 137–139, https://doi.org/10.1093/em/cas010
150 years of plucked strings
Early Music, Volume 40, Issue 1, February 2012, Pages 139–142, https://doi.org/10.1093/em/cas003
Finding the voice of the Italian Baroque
Early Music, Volume 40, Issue 1, February 2012, Pages 142–145, https://doi.org/10.1093/em/cas002
Buxtehude instrumental music
Early Music, Volume 40, Issue 1, February 2012, Pages 145–147, https://doi.org/10.1093/em/cas009
Bach cantatas and motets: Aus der Tieffen and beyond
Early Music, Volume 40, Issue 1, February 2012, Pages 148–152, https://doi.org/10.1093/em/cas005
Scarlattiana
Early Music, Volume 40, Issue 1, February 2012, Pages 152–155, https://doi.org/10.1093/em/cas012
Wilhelm Friedemann Bach at 302
Early Music, Volume 40, Issue 1, February 2012, Pages 155–158, https://doi.org/10.1093/em/cas007
Reports
The Gothic revolution
Early Music, Volume 40, Issue 1, February 2012, Pages 159–160, https://doi.org/10.1093/em/cas015
Byrd at home
Early Music, Volume 40, Issue 1, February 2012, Pages 160–161, https://doi.org/10.1093/em/cas021
Historical performance, past and present
Early Music, Volume 40, Issue 1, February 2012, Pages 161–163, https://doi.org/10.1093/em/cas020
Obituary
Gustav Leonhardt (1928–2012)
Early Music, Volume 40, Issue 1, February 2012, Page 164, https://doi.org/10.1093/em/cas027
Correspondence
Bach’s chorus: more of the same
Early Music, Volume 40, Issue 1, February 2012, Pages 165–166, https://doi.org/10.1093/em/cas024
Bach’s temperament
Early Music, Volume 40, Issue 1, February 2012, Pages 166–167, https://doi.org/10.1093/em/cas025
Bach’s temperament
Early Music, Volume 40, Issue 1, February 2012, Page 167, https://doi.org/10.1093/em/cas026
NEWS AND EVENTS
News and events
Early Music, Volume 40, Issue 1, February 2012, Pages 168–169, https://doi.org/10.1093/em/cas022
Abstracts
Abstracts
Early Music, Volume 40, Issue 1, February 2012, Pages 170–172, https://doi.org/10.1093/em/cas030
Advertisers' index
Advertisers' Index
Early Music, Volume 40, Issue 1, February 2012, Pages 173–174, https://doi.org/10.1093/em/cas031
