
Contents
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4 Progress and Development of the Philosophy of Music Education in China since the Twentieth Century
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Musical Viewpoints of Confucianism Musical Viewpoints of Confucianism
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Ren (인 仁 Benevolence) Ren (인 仁 Benevolence)
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Functions of Music Functions of Music
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Good Music in Confucianism Good Music in Confucianism
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Influence of Music on People Influence of Music on People
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Music and Class Music and Class
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Confucianism in Korean Music Confucianism in Korean Music
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Ritual Music Ritual Music
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Confucian Ancestral Shrine Music Confucian Ancestral Shrine Music
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Royal Ancestral Shrine Music Royal Ancestral Shrine Music
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Banquet Music Banquet Music
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Pungryu Music Pungryu Music
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Recent Past Recent Past
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Postlude Postlude
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Notes Notes
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Bibliography Bibliography
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8 Confucianism in Korean Traditional Music: Music of the Joseon Period (1392‒1910)
Get accessYong Hee Kim is Professor in the department of Music Education in Gyeongin National University of Education, South Korea. Her teaching and research areas include general music education, sociology of music education, and multicultural music education. She has published books and articles in music education, musicology, general education, and curriculum and pedagogy journals. She received her bachelor’s and master’s degrees with focus on musicology from Seoul National University and her doctoral degree in Music Education from Teachers College, Columbia University, in New York.
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Published:20 June 2024
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Abstract
Confucianism was a basis of traditional music during the Joseon period (1392–1910) in Korea. In Confucianism, music was an important tool to cultivate people from the inside. Court and Pungryu music in particular were examples of music faithful to the Confucian philosophical perspective. After the fall of the Ming dynasty in China in 1644, Joseon claimed to be the successor of Confucian rituals and music. In this chapter, the author presents the Confucian viewpoint of music and how some examples of Joseon music were reflective of it. The tradition of Confucian music faced a crisis when Western music was imported into Korea and the Joseon dynasty was overthrown. However, through the efforts of court musicians and their successors, court and Pungryu music has been well preserved to this day. Various conceptions of music and music education in contemporary South Korea still share commonalities with Confucian philosophy.
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