The Oxford Handbook of the Creative Process in Music
Online ISBN:
9780190636203
Print ISBN:
9780190636197
Publisher:
Oxford University Press
Book
In Progress
The Oxford Handbook of the Creative Process in Music
Nicolas Donin (ed.)
Nicolas Donin
(ed.)
Music, University of Geneva
Find on
Nicolas Donin is Professor and Chair of musicology at the University of Geneva.
Published:
8 May 2018
Online ISBN:
9780190636203
Print ISBN:
9780190636197
Publisher:
Oxford University Press
Cite
Donin, Nicolas (ed.), The Oxford Handbook of the Creative Process in Music (online edn, Oxford Academic, 8 May 2018), https://doi.org/10.1093/oxfordhb/9780190636197.001.0001, accessed 5 May 2025.
Abstract
This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online. For more information, please read the site FAQs.
Subject
Music
Series
Oxford Handbooks
Collection:
Oxford Handbooks Online
Contents
-
The Psychology of Creative Processes in Music
Eric F. Clarke
-
Getting Out of the Garret: Social and Material Dimensions of Music as Creative Practice
Nicholas Cook
-
Recentering Music: Sketch Studies and Analysis
William Kinderman
-
On Genre, History, and Invention in the Analysis of Creative Processes in Music
Georgina Born
-
Ethnomusicology of the Creative Process
Emmanuelle Olivier
-
Creative Process as Labor: A Sociological Approach to Music and the Arts
Pierre-Michel Menger
-
Cultural Heritage, Information Science, and the Creative Process
Guillaume Boutard andCatherine Guastavino
-
Music Creative Processes in Infants and Children
Maya Gratier andManuela Filippa
-
Musical Creativity and Well-Being
Raymond MacDonald and others
-
Informal Learning and the Creative Process
Gareth Dylan Smith
-
Pedagogies of Creativity in Music: Facilitators and Constraints in Music Composition Teaching
Margaret S. Barrett
-
“Study, practice, and a reasonable working method”: Toward a History of Creative Process Pedagogy Between 1500 and 1850
Mario Aschauer
-
Musicians’ Strategies for Sustaining Creativity over the Lifespan
Aaron Kozbelt
-
Practicing and Rehearsing: Routine or Creative Processes?
Jane W. Davidson
-
Freedom and Spontaneity in the Creative Process: Lessons from Experimental Music
David W. Bernstein
-
Creating with Constraints
Robert Hasegawa
-
Borrowing in Music
Friedemann Sallis
-
Choreographers and Musicians in Collaboration, from the Twentieth to the Twenty-First Century
Stephanie Jordan
-
Evidence of the Creative Process in Early Music
Jessie Ann Owens
-
Creativity in Seventeenth-Century Music
Rebecca Herissone
-
Reconstructing the Creative Process: Music in the Nineteenth-Century Theater
Mark Everist
-
The Evolving Ideas of Beethoven’s Creative Process: Studying the Tempest Sonata, Op. 31 No. 2, Past and Present
William Kinderman andFriedemann Sallis
-
Jazz and Its Sources: Searching for the Creative Process
Peter Elsdon
-
Creative Practices and Technical Processes in Music for Cinema and Television
David Cooper
-
On Composers and Computers
Gerhard Nierhaus
-
Songwriting, Digital Audio Workstations, and the Internet
Joe Bennett
-
The Creative Process of Composing for Video Games: From Pitching to Gold Master and Beyond
Stephen Baysted andTim Summers
-
Cinematic Depictions of Music Creative Processes in Classical and Popular Music
Joanne Cormac
-
Agency and Contemporary Recording Production
Eliot Bates
-
The “Serial Generation”: Compositional Process, Theoretical Discourse, and Programming the Listening Experience
Gianmario Borio
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