
Contents
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Information Science, Representation, and the Creative Process Information Science, Representation, and the Creative Process
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Documentation Frameworks for Cultural Heritage: From Reperformance Issues to Digital Humanities Documentation Frameworks for Cultural Heritage: From Reperformance Issues to Digital Humanities
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Beyond the Representation of the Creative Process: One Step Further into Interdisciplinarity Beyond the Representation of the Creative Process: One Step Further into Interdisciplinarity
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Conclusion Conclusion
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References References
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Notes Notes
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Cultural Heritage, Information Science, and the Creative Process
Get accessAssistant Professor, Department of Library and Information Studies, University at Buffalo
Associate Professor at McGill University, School of Information Studies & Schulich School of Music, Centre for Interdisciplinary Research in Music Media & Technology
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Published:10 September 2018
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Abstract
The creative process has recently garnered research attention in the field of information science. Multiple authors have proposed original research directions and methods relating to the creative process with the goals of preserving, curating, and disseminating cultural heritage. This body of research provides empirical grounds for the development of better tools for artistic practice and, at a theoretical level, brings another interdisciplinary perspective on the creative process. The field of information science investigates the creative process through the lens of different theoretical frameworks, stemming notably from psychology, sociology, and linguistics. Research areas include empirical studies on music information–seeking behavior, creative process modeling, digital humanities projects for repertoire analysis, performance documentation methodologies, preservation frameworks, and theoretical investigations of the relationship between creative processes and archival documents. Together, these studies provide new insights into the field of information science by re-examining established categories of inquiry, as well as methodologies and ontologies pertaining to the field. The relationship between cultural heritage, information science, and the creative process highlights the singularity of the creative process as an object of research and provides a new critical perspective on the domains within which it is being investigated.
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