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Introduction Introduction
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The Willow Pattern The Willow Pattern
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A History of Design: Transfer-Printing and the Willow Pattern Print A History of Design: Transfer-Printing and the Willow Pattern Print
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The 1842 Patent Act and the Emergence of Willow Pattern in Literature and Song The 1842 Patent Act and the Emergence of Willow Pattern in Literature and Song
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Willow Pattern in the Archaeological Record Willow Pattern in the Archaeological Record
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Conclusion: Willow Pattern in the Twentieth and Twenty-First Centuries Conclusion: Willow Pattern in the Twentieth and Twenty-First Centuries
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References References
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28 Ceramics and Pottery: The Enduring Appeal of the Willow Pattern Print
Get accessNigel Jeffries is a medieval and post-medieval pottery, glass, and clay tobacco pipe specialist at the Museum of London Archaeology.
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Published:20 April 2022
Cite
Abstract
Among the most familiar archaeological material signatures of the late eighteenth- and nineteenth-century world is British-made pottery decorated with the ubiquitous Willow Pattern transfer print. This chapter traces the history of this design since its inception in the late eighteenth century within the context of the British ceramic revolution, before assessing the romantic story that became associated with the pattern. Willow Pattern representation in song, verse, literature, and other mediums during the Victorian period is also considered. After examining Willow Pattern services related to three contemporary households at different ends of the social spectrum in Victorian London, this chapter concludes by reviewing how the pattern has remained in popular culture and influenced design during the twentieth and twenty-first century.
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