
Contents
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What’s at Stake in the Children’s Film? What’s at Stake in the Children’s Film?
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Children’s Film after the Production Code Children’s Film after the Production Code
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PG and the Challenge of All-Ages Content PG and the Challenge of All-Ages Content
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The “Plague” of PG-13? The “Plague” of PG-13?
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A “New Shocking”: The House with a Clock in Its Walls A “New Shocking”: The House with a Clock in Its Walls
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Conclusion Conclusion
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Notes Notes
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Bibliography Bibliography
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32 Hollywood, Regulation, and the “Disappearing” Children’s Film
Get accessFilipa Antunes is Lecturer in Humanities at the University of East Anglia. She researches childhood, horror, and popular culture, with a special focus on children’s media. Her first monograph, Children Beware! Childhood, Horror and the PG-13 Rating (McFarland 2020), charts the children’s horror media trend (1980–1999) to explore critical shifts in American cultural attitudes toward childhood and horror. Filipa has also published on genre, the PG-13 rating, and the Hollywood family film.
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Published:20 April 2022
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Abstract
This chapter argues that crisis discourses around the Hollywood children’s film use the genre as shorthand to discuss the film industry’s broader cultural value. The chapter therefore questions the tendency to downplay the children’s film’s industrial characteristics, suggesting instead a focus on how the children’s film uniquely blends industrial and cultural concerns. The analysis explores the links between peaks of crisis rhetoric and periods of dramatic industrial transformation, particularly in the context of regulation but also in Hollywood’s relation to other entertainment industries. It specifically addresses the shift from the Production Code to the ratings system in 1968, the introduction of the PG-13 category in 1984, and the emphasis on all-ages franchises in the 2010s.
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