
Contents
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Brief archaeological background Brief archaeological background
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Previous work: baselines Previous work: baselines
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Theoretical considerations behind light and darkness Theoretical considerations behind light and darkness
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Forces of light Forces of light
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Forces of dark, darkness, and night Forces of dark, darkness, and night
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Methodology Methodology
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Shared time Shared time
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Darkness, lighting, and lights at Lochbuie Darkness, lighting, and lights at Lochbuie
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Discussion Discussion
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Conclusion Conclusion
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References References
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22 Lighting the Good Life: The Role of Light in the Aristocratic Housing System duringLate Antiquity
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6 Illuminating Time: The Visibility of Temporality in Prehistory
Get accessGail Higginbottom is currently a Marie Curie Research Fellow @Incipit, CSIC in Santiago de Compostela, Spain, working on a project entitled ‘SHoW: SHARED WORLDS’, revealing prehistoric shared worlds along Europe’s Atlantic façade. Other significant research includes ‘The World Ends Here, the World Begins Here: Bronze Age Megalithic Monuments in Western Scotland’, covering the standing stones of Argyll, Mull, Tiree, and Coll and their possible ‘representation’ of shared values, as well as ‘Origins of Standing Stone Astronomy in Britain’. She is a cultural landscape archaeologist and theorist researching monuments, landscapes, astronomy, depositional behaviour. and the belief systems of ‘prehistoric’ peoples. She implements geographical information systems and mathematically oriented approaches and applies interpretive analyses. Essentially, her work highlights the fluidity between that which is made and that which is natural in the creation of ‘worlds’ by prehistoric peoples.
Vincent Mom, after his PhD thesis in physics (‘The Structure of Molten Polymers’, Leiden University, The Netherlands, 1982), worked on several large infrastructural IT projects in banking (ATM networks) and industry (logistic systems). For 12 years he was director of R&D at an international software company. From 1998 he began to developing special-purpose software in the area of cultural heritage (digital archives, shape recognition). In 2015 he joined Gail Higginbottom to support her ‘Standing Stones’ research project.
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Published:10 February 2021
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Abstract
Using the astronomical animation software of Stellarium, this chapter will demonstrate how time was ‘staged’ by prehistoric people at particular periods during the solar and lunar years. It will show how they ‘choreographed’ night- and day-lighting and landscape shadowing effects, along with the appearance and travels of other celestial phenomena in relation to the monuments and their horizons. It was this staging of natural lighting through illumination, brightness, luminescence, shine, gleams, glows, glare, and small points of light, and the opposites of all of these, that enabled their concepts of time to be experienced, shared, and acknowledged by prehistoric peoples.
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