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I. I.
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State Currency State Currency
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Experimental Sound and Acoustic Ecology Experimental Sound and Acoustic Ecology
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II. II.
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Acoustic Community Acoustic Community
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Dual Power Dual Power
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III. III.
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A Weapon against Participation in Its Value-Form A Weapon against Participation in Its Value-Form
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A ‘Third’ Electroacoustic Practice or Militant Sound Inquiry A ‘Third’ Electroacoustic Practice or Militant Sound Inquiry
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Notes Notes
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References References
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Cite
Abstract
Electroacoustic research as a cultural practice has always existed within the state relation. In this text the sound art collective Ultra-red attempts to map this relation within electroacoustic practice and poses a counter inquiry that resists rather than affirms the liberal state. In the era between the world wars and immediately after World War II electroacoustic research emerged out of state-funded radio communications and university institutions. The “apolitical” position of sound researchers working in European democracies reflected the hegemony of liberalism. Research conducted by the World Acoustic Ecology movement in Canada is an example of the liberal position. The WAE sound researchers attempted to socially engineer solutions to the contradictions within modern capitalist society without addressing the social antagonisms inherent within the mode of capitalist (and imperialist) production administered by the liberal state. We conclude with an example of electroacoustic research within the larger Third Cinema project of national liberation and anti-imperialism, articulating the possibility of a “Third” electroacoustic inquiry that resists the value-form of participation of bourgeois state listening and proceeds from the position of revolutionary antagonism to the state.
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