
Contents
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Introduction Introduction
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On Windows On Windows
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The Dissembled Loudspeaker: Music on a Long Thin Wire The Dissembled Loudspeaker: Music on a Long Thin Wire
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The Speaker as Subject The Speaker as Subject
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The Materials of Sound Art The Materials of Sound Art
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Conclusion: Medium Specificity and the Idiomatic Speaker Conclusion: Medium Specificity and the Idiomatic Speaker
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Notes Notes
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References References
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14 The unreliable mediator: Loudspeakers in Sound Art Heard Through Music on a Long, Thin Wire
Get accessProfessor David Prior, Falmouth University
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Published:08 September 2021
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Abstract
Within the array of sounding devices that have been deployed in the making of sound art, the speaker has a special status. Although not ubiquitous, the extent of the speaker’s influence on sound art cannot be underestimated, and yet for many artists the speaker remains an obstinate, unyielding thing, acknowledged for its function but not embraced for its form. Sound art has frequently positioned itself within the discourse of contemporary sculpture and installation art and, as such, both the affordances of sound itself and the materials of its technical apparatus need to be understood as different dimensions of what constitutes its medium. This brief survey of the uses of speakers in sound art uses Lucier’s Music on a Long Thin Wire as a case study in which the speaker is utilized not just for its ability to convey sonic meaning generated elsewhere but also as a thing in its own right.
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