
Contents
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Spenser's September and Mantuan's Ninth Eclogue Spenser's September and Mantuan's Ninth Eclogue
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Spenser's October, Mantuan's Fifth Eclogue, and the Organization of the Adulescentia and Shepheardes Calender Spenser's October, Mantuan's Fifth Eclogue, and the Organization of the Adulescentia and Shepheardes Calender
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Spenser and the Poetry of Georgius Sabinus and Petrus Lotichius Spenser and the Poetry of Georgius Sabinus and Petrus Lotichius
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Spenser's ‘Ad ornatissimum virum’ and Lotichius's Elegies Spenser's ‘Ad ornatissimum virum’ and Lotichius's Elegies
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Notes Notes
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Bibliography Bibliography
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31 Spenser and Neo‐Latin Literature
Get accessLee Piepho is Shallenberger Brown Research Professor of English Literature at Sweet Briar College. He is the editor and translator of Mantuan's Adulescentia (1989) and the author of Holofernes' Mantuan (2001), a study of Italian humanism in Early Modern England. He has articles comparing the organization of Mantuan's eclogues and The Shepheardes Calender and on books newly discovered to have been in Spenser's private library. Recently he has been working on international Protestant culture in Britain and continental Europe, and has published ‘Paulus Melissus and Jacobus Falckenburgius: Two German Protestant Humanists at the Court of Queen Elizabeth’, in Sixteenth Century Studies, and ‘Making the Impossible Dream: Latin, Print, and the Marriage of Frederick V and the Princess Elizabeth’, in Reformation.
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Published:18 September 2012
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Abstract
This article focuses on the influence of Neo-Latin texts on Spenser's works. While Spenser's debut as ‘Immerit ô’ was The Shepheardes Calender (1579) it is important to recognize that his other long poem printed around the same time — ‘Ad ornatissimum virum’ (1580) — was in Latin, not English. Spenser moved in a bilingual world, a world in which, partly because of him, the balance between English and Latin was shifting, but also one in which Latin as a living language put him in touch not only with the culture of ancient Rome but with recent Neo-Latin writers in Britain and Continental Europe. That one of his first poetical works was in Latin rather than English testifies to the fact that the literary milieu Spenser entered as a young man remained heavily Latinate. If he ultimately set out to use English to make a nation of his own, the books in his library and the poetry he published at the beginning of his literary career suggest that he also recognized the role Neo-Latin literature continued to play in British high culture.
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