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Spenser's Life in Patronage Spenser's Life in Patronage
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Spenser in the Book Trade Spenser in the Book Trade
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Notes Notes
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Bibliography Bibliography
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6 Spenser's Patrons and Publishers
Get accessWayne Erickson teaches English at Georgia State University. His book Mapping The Faerie Queene: Quest Structures and the World of the Poem (1996) outlines the spatial, temporal, and generic geography of The Faerie Queene. He has edited a collection of essays on the paratexts of the 1590 Faerie Queene (2005), has written brief biographies of Gabriel Harvey and William Ponsonby, and has been thinking and writing about the printing and publishing of Spenser's works for over twenty‐five years.
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Published:18 September 2012
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Abstract
This article examines the production of Edmund Spenser's books, that is, the biographical and cultural conditions that led to their being written and, more centrally, the collaborative enterprise among the poet, his patrons, and members of the Stationers' Company that led to the books' being printed and distributed. Spenser wrote, of course, because he was a poet, but he accomplished the writing because he had jobs that afforded him the time and security to do so and, in part, because he had the support and encouragement of friends and patrons.
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