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Fantasy and the Tragicomic Fantasy and the Tragicomic
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‘Lie there, my art.’ ‘Lie there, my art.’
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Pericles Pericles
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Cymbeline Cymbeline
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The Winter's Tale The Winter's Tale
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John Fletcher's Collaborator John Fletcher's Collaborator
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19 Late Shakespeare
Get accessAdam Zucker is Associate Professor of English at the University of Massachusetts‐Amherst, where he teaches courses on Tudor and Stuart drama and poetry. He is the co‐editor, with Alan B. Farmer, of Localizing Caroline Drama: Politics and Economics of the Early Modern English Stage (2006), and the author of The Places of Wit in Early Modern Comedy (2011). Recent publications include essays on urban space in Julie Sanders (ed.), Ben Jonson in Context (2010) and on gambling in Amanda Bailey and Roze Hentschell (eds.), Masculinity and the Metropolis of Vice, 1550–1650 (2010).
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Published:18 September 2012
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Abstract
This article considers Shakespeare's later drama works. Four of the six surviving plays that he wrote and co-wrote between 1607 and 1613 are beautiful companions for one another. The works known as the romances – Pericles, Cymbeline, The Winter's Tale, and The Tempest – sit together like circles with overlapping historical engagements. The article also examines two plays Shakespeare co-wrote with John Fletcher: The Two Noble Kinsmen and Henry VII.
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