
Contents
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Preliminaries Preliminaries
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Prehistory Prehistory
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The Italian Quattrocento The Italian Quattrocento
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From Latin into Italian “Commedia Erudita” and Back into Latin From Latin into Italian “Commedia Erudita” and Back into Latin
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Between Dialogue, Farce, and Roman Comedy—Classicism and Its Undercurrents Between Dialogue, Farce, and Roman Comedy—Classicism and Its Undercurrents
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Driving Forces and Subjects: Education and Religion Driving Forces and Subjects: Education and Religion
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Plurality of Forms and Subjects Plurality of Forms and Subjects
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Jesuit Comedy Jesuit Comedy
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Concluding Observations Concluding Observations
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Suggested Reading Suggested Reading
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References References
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6 Comedy
Get accessProfessor of Latin at the University of Freiburg
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Published:09 July 2015
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Abstract
This chapter gives a survey of Latin comedy from ca. 1400 to 1750. It starts with a pragmatic definition of “comedy” and the corpus of texts. Individual sections are then dedicated to: the prehistory of Neo-Latin comedy in the Middle Ages up to Petrarch’s lost Philologia; Italian humanist comedy; the transformation of humanist comedy into vernacular commedia erudita and the Latin retransformation of commedia erudita; adaptations of Italian humanist comedy north of the Alps between classicism and non-classical forms; education and religion as the driving forces behind Neo-Latin comedy; its plurality of forms and subjects; and finally, Jesuit comedy, its particular challenges for research, and its development through the ages up to the suppression of the Society of Jesus in 1773. A concluding section argues for the hybridity and innovativeness of Neo-Latin comedy against the comparatively more uniform background of both Neo-Latin tragedy and classical Roman comedy.
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