
Contents
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Virgil and Other Models Virgil and Other Models
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The Poets and Their Audience The Poets and Their Audience
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The Corpus of Poems and the Current State of Research The Corpus of Poems and the Current State of Research
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The Fourteenth Century: Ancient History in Petrarch’s Africa The Fourteenth Century: Ancient History in Petrarch’s Africa
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Examples from the Fifteenth Century: Basinio Basini and Ancient Mythology Examples from the Fifteenth Century: Basinio Basini and Ancient Mythology
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Examples from the Sixteenth Century: Contemporary History and Christianity Examples from the Sixteenth Century: Contemporary History and Christianity
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Examples from the Seventeenth Century: Supplements Examples from the Seventeenth Century: Supplements
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An Example from the Eighteenth Century: Iturriaga’s Epyllion Californias An Example from the Eighteenth Century: Iturriaga’s Epyllion Californias
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Suggested Reading Suggested Reading
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References References
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4 Narrative Poetry
Get accessDirector of the Ludwig Boltzmann Institute for Neo-Latin Studies in Innsbruck, Innsbruck University
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Published:09 July 2015
Cite
Abstract
In the early modern period, many poets designed their opera omnia according to Virgil’s literary production: they wrote both didactic and heroic hexameter poetry. Particularly in the context of the church, imperial or regional courts, and schools and universities, numerous didactic and heroic poems were composed, mostly with ideological or panegyric aims. Heroic poems celebrated not only emperors, kings, princes, and dukes, but also saints and important clergymen. Specific patrons or literary circles can often be identified as the intended audiences for these works. This chapter discusses the different sub-genres of Neo-Latin epic poetry: mythological, historical, Christian poems, supplements and epyllia with corresponding examples. A few examples of didactic poems, often written by the same authors, are also considered.
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