Index

Index

8 1/2 (Fellini)

film within a film in

Guido’s memories as “series of completely gratuitous episodes” in

Guido’s redemption in

photo stills from

priming and

suffering transfigured into aesthetic bliss in

The 158-Pound Marriage (Irving)

The 400 Blows (film)

Abbott, Porter

Abel, Elizabeth

Ablow, Rachel

Adaptation (Kaufman)

The Adventures of Tom Sawyer (Twain)

Advice to a Young Investigator (Rámon y Cajal)

Aeschylus

aesthetic experience

bidirectionally focused states and

brain’s default model network and

memory and

physical manifestations of

sensory detail and

Wordsworth’s description of

Affective Narratology (Hogan)

Against the Grain (Huysmans)

Ainslie, George

Alas, Leopoldo.

See

La Regenta (Alas)

Aldama, Frederick Luis

cross-cultural comparisons conducted by

illusory liberation and

materialist critique of mainstream postcolonial theory by

allegory

cartoons and

definition of

Spenser’s Faerie Queene as

Allen, Woody

American Beauty (film)

“American Debtor’s Prison” (Wahl)

Amnesty International

Andreason, Nancy

Anna Karenina (Tolstoy)

Anna’s argument with her husband in

Anna’s railway car described in

Kitty Shcherbatskya described in

Levin’s animals in

Levin’s mowing scene in

Nabokov and

Oblonsky awakening from a dream in

Oblonsky’s affair with the governess in

Oblonsky’s dining on oysters in

opera house scene in

reality effect and

Vronsky’s steeplechase scene and

Ansons, Tamara

Antony and Cleopatra (Shakespeare)

Appalachian Trail

Aristotle

anagnorisis (recognition) and

catharsis and

On Generation and Corruption and

On the Heavens and

on imagination and command of metaphor

Metaphysics and

Meteorology and

natural philosophy of

Nicomachean Ethics and

“occult” phenomena and

peripeteia (dramatic reversals)

Physics and

Poetics and

on theater and emotion

on tragedy and sequencing

on understanding of complex things through simple things

Armstrong, Isobel

“Art as Technique” (Shklovsky)

Artaud, Antonin

Aspects of the Novel (Forster)

Astington, Janet Wilde

Asturias, Miguel Angel

As You Like It (Shakespeare)

At Swim Two Birds (O’Brien)

attribution theory

Augustine

on “loving to love,”

on marriage

on theater and emotion

Austen, Ben

Austen, Jane

Catherine of the Bower and

cognitive historicist readings of

concentration represented by

decision theory analysis of fiction by

Emma and

game theory interpretations of

hindsight bias and

literary neuroscience study of

Mansfield Park and

naive characters depicted by

Northanger Abbey and

Persuasion and

pleasure reading represented by

Pride and Prejudice and

autism

disability studies and

empathy and

perceptual processing of speech and

poetry and

switch from sensing to interpretation and

synesthesia and

visuospatial processing and

Autism and Sensing: The Unlost Instinct (Donna Williams)

The Autobiography of My Mother (Kincaid)

Auyoung, Elaine

Bachelard, Gaston

back-to-front processing of time

Bacon, Francis

Baggs, Amanda

Bakhtin, Mikhail

Balázs, Béla

The Balcony (Genet)

Baldanzi, Jessica

The Band (music group)

Bare, Bobby

Barsalou, L.W.

Barthes, Roland

Batson, Daniel C.

Bauerlein, Mark

The Beach Boys

Beckett, Samuel

Before Reading (Rabinowitz)

Bellamy, Ralph

bent straw illusion

Berlin, Brent

Berman, Russell

Bersani, Leo

Bérubé, Michael

Best Laid Schemes (Oatley)

Bhabha, Homi

Big Brother and the Holding Company

The Big Sleep (Chandler)

The Big Sleep (film directed by Howard Hawks)

“Big Two-Hearted River” (Hemingway)

Bilandzic, Helena

Binder, Jeffrey

Bin Laden, Osama

Bissonnette, Larry

Black, Ira

Black, Shameem

Blackburn, Elizabeth

“Black Girl” (song)

Blade Runner (film)

Blair, R.J.R.

Blajenkova, Olessia

Bleak House (Dickens)

blending

in cartoons

as a cognitive resource

definition of

dynamic versus static forms of

humor and

imagination and

incongruity and

input spaces and

metaphors and

spatial poetics and

Wordsworth and

Blind Chance (Kieslowski)

Blood Meridian (McCarthy)

Bloom, Paul

Boardwalk Empire (television program)

Bogart, Humphrey

Bogdashina, Olga

Booth, Wayne

Bordwell, David

Bortolussi, Marisa

Bostocke, Richard

bottom-up processes of cognition

Bourgois, Philippe

Bousset, Jacques-Bénigne

Boyd, Brian

See also

Literary Darwinists

Brann, Eva

Brauckmann, Sabine

Breath, Eyes, Memory (Danticat)

Brecht, Bertolt

alienation effects and

The Caucasian Chalk Circle and

epic theater and

readers’ engagement with

Verfremdung and

Brock, Timothy C.

Bromwich, David

Brooks, Christopher

Brooks, David

Brother, I’m Dying (Danticat)

Brown, Dan

Brown, Joseph Emerson

Bruhn, Mark

Bruner, Jerome

Bürger, Gottfried

Burke, Edmund

Burke, Kenneth

Burns, Ed

Burns, Robert

Burris, Roy

Busselle, Rick

Butch Cassidy and the Sundance Kid (film)

Butler, Judith

Butler, Octavia

Butte, George

Bybee, Joan L.

The Byrds (music group)

Caleb Williams (Godwin)

Calvino, Italo

Cameron, Euan

The Canterbury Tales (Chaucer)

Cantos (Pound)

Cao Xueqin.

See

The Story of the Stone (Cao Xueqin)

“Captain Shigemoto’s Mother” (Tanizaki)

Carey, Susan

Carpenter, Patricia A.

Carroll, David

Carroll, Joseph

Carroll, Noël

Carruthers, Mary

cartoons

allegory in

allusion in

blending in

caricatures compared to

definition of

drawings compared to

as genre

humor in

ideology in

implied narratives in

metaphors and

narratology and

semantic conjunction and

signaling in

Casablanca (film), “La Marseillaise” scene in

“The Cask of Amontillado” (Poe)

Castel of Health (Elyot)

Catch-22 (Heller)

categorization theory

catharsis

Catherine of the Bower (Austen)

The Caucasian Chalk Circle (Brecht)

Cavanagh, Patrick

Cela-Conde, Camilio

Cervantes, Miguel de

Chakrabarty, Dipesh

Chancery Court

Chandler, Raymond.

See

The Long Goodbye (Chandler)

Chaplin, Charlie

Chappatte, Patrick

character narration

Charon, Rita

Chaucer, Geoffrey

Chekhov, Anton

“Children of the Sea” (Danticat)

children’s acquisition of metacognitive concepts

Chouard, Tanguy

A Christmas Carol (Dickens)

Cid (Corneille)

City Lights (Chaplin)

Clarín.

See

La Regenta (Alas)

Clarissa, or The History of a Young Lady (Richardson)

Cloze tests

Cobain, Kurt

Coetzee, J.M.

cognitive hermeneutics

cognitive historicism

Aristotelian natural philosophy and

“book of nature” trope and

categorization theory and

cognitive hermeneutics and

cognitive linguistic theory and

early modern medicine and

epistemological shifts and

polysemic words and

reciprocity between literary history and neuroscience and

symptomatic reading and

on “Temperance” concept in Spenser’s Faerie Queene

cognitive linguistic theory

cognitive literary studies

cognitive disability studies and

“computer” model of the brain and

consilience with science and

early modern literature and

Literary Darwinists and

resistance to

resistance to unified theory in

Richardson’s definition of

cognitive model of learning

Cohen, Jonathan

Cohn, Dorrit

Coleridge, Samuel Taylor

blending theory and

circle of fire illustration of

on consciousness and its conceptualization

conversation poems of

“Frost at Midnight” and

on imagination as a “synthetic and magical power,”

Lyrical Ballads and

“The Nightingale” and

Notebooks and

“Reflections on Having Left a Place of Retirement” and

spatial poetics and

“This Lime Tree Bower My Prison” and

on the “transmutation of the succession of Time into the juxtaposition of Space,”

Wordsworth and

Collins, Jackie

concentration

Austen’s representation of

Enlightenment notions of

fMRI readings and

Samuel Johnson on

conceptual integration theory.

See

blending

Confessions (Augustine)

Confessions of a Mask (Mishima)

Conrad, Joseph

Constantine, Mary-Ann

contempt, anger, and disgust (CAD) hypothesis

Corneille, Pierre

The Corner: A Year in the Life of an Inner-City Neighborhood (Burns)

Costa, Pedro

The Counterfeiters (Gide)

country-and-western music.

cheating songs and

cognitive narratology and

fictional minds approach to

Naipaul on

Charlie Parker on

segmentation and

social mind approach to

Coviello, Peter

The Crack-Up (Fitzgerald)

Crawford, Richard

Create Dangerously (Danticat)

“Credulity, Superstition, and Fanaticism” (Hogarth)

Cruelty and Laughter (Dickie)

Cuklanz, Lisa M.

Culler, Jonathan

curiosity, Enlightenment notions of

The Curious Incident of the Dog in the Nighttime (Haddon)

Damasio, Antonio

Danby, John

Dancygier, Barbara

Danger and Purity (Douglas)

Danielewski, Mark Z.

Danticat, Edwidge

Breath, Eyes, Memory and

Brother, I’m Dying and

“Children of the Sea” and

Create Dangerously and

The Dew Breaker and

Eight Days: A Story of Haiti

Haitian characters and subjects of

Krik? Krak! and

narrative empathy and

“Night Women” and

Darley, John M.

Darwin, Charles

Daston, Lorraine

Davidson, Donald

The Da Vinci Code (Brown)

Davis, Mark

Dawson, Michelle

Deacon, Terence

Dead Snow (film)

Dean, James.

See

James Dean Effect

Deathtrap (Levin)

De bono coniugali (Augustine)

Debussy, Claude

decision theory

appetite satisfaction and

game theory and

hyperbolic discounting and

intertemporal bargaining and

literary emotions and

Newcomb’s paradox and

No Country for Old Men and

preference ordering and

recursive nature of

relative probabilities and

subjective probability and

de Graaf, Anneke

de Grouchy John Walter

Dehaene, Stanislas

Deleuze, Gilles

DeMaria, Robert

Demme, Jonathan.

See

Silence of the Lambs

The Demons (Dostoyevsky)

Denis, Michel

Dennett, Daniel

Derrida, Jacques

Der Schrei der Natur (Munch)

Desai, Rutvik

DeWall, Nathan

The Dew Breake r (Danticat)

Dexter (television program)

murder and

rape and

revenge in

Diary of a Bad Year (Coetzee)

Dickens, Charles

Dickie, Simon

Diderot, Denis

on distraction

on the emotional state of actors

engagement with reader in Jacques the Fatalist of

“Didn’t You Get My Email?” (cartoon)

Die Hard (film)

Diener, Ed

Digital Humanities and Literary Cognition (DHLC) lab

The Distinction of Fiction (Cohn)

Distraction (Phillips)

“The Divide” (Tagore)

Dixon, Peter

Doctor and Student (Saint German)

Doctor Zhivago (film)

Doležel, Lubomír

Dombey and Son (Dickens)

Don Quixote (Cervantes)

Doppo, Kunikida

Dostoyevsky, Fyodor

Dougherty, Bob

Douglas, Mary

Doyle, Arthur Conan

drama.

See

theater

Dreaming by the Book (Scarry)

Dream of the Red Chamber (Cao Xueqin).

See

The Story of the Stone (Cao Xueqin)

Duck, Stephen

duck/rabbit figure

Dudai, Yadin

The Dunciad (Pope)

Dunker, A. Keith

duration neglect

Durocher, Leo

Duvalier, François “Papa Doc,”

Dylan, Bob

dynamic equilibria

Eagleman, David

early modern medicine

Easterlin, Nancy

Edelman, Gerald

Edelman, Lee

Effi Briest (Fontane)

advocative exploitative empathy and

empathic sadism and

Fassbender’s film adaptation of

implicated reader and

Eight Days: A Story of Haiti (Danticat)

Ekman, Paul

Elective Affinities (Goethe)

Eliot, T.S.

Elizabeth I (queen of England)

Ellesmere, Lord

Elyot, Thomas

embodied abstraction

Émile (Rousseau)

Emma (Austen)

emotion

aversive simulation and

cognitive science and

critical period particularizations and

diary records of

emotionally effective errors in literature and

emotional memories and

film close-ups and

functional preferences and

group divisions in literature and

innate triggers and

laboratory experiments measuring

literary tragedies and

literature’s ability to increase knowledge of

literature’s explicit statements about

literature’s representations of

narrative universals and

sharing of

theater and

empathy.

See also

narrative empathy

advocative exploitative empathy and

autism and

definition of

Effi Briest and

empathic sadism and

“empathy for empathy’s sake” and

failed empathy and

fMRI studies of

implicated reader and

La Regenta and

manipulative predictive empathy and

postcolonial theory and

predictive (self-empowering) empathy and

retributive pain empathy and

“sadistic benefactor” and

self-focused vicarious empathy

theater and

victims’ families viewing of executions and

Empson, William

Encyclopédie (Diderot)

Endgame (Beckett)

Engelsing, Rolf

English Matrimonial Causes Act of

The Enlightenment

concentration and

curiosity and

distraction and

moral theories and

neuroscience and

“reading revolution” in

scientific revolution and

entropy

enzyme catalysis

The Epistemology of the Closet (Sedgwick)

equity court.

See

Chancery Court

Espaces mentaux (Fauconnier)

Esrock, Ellen

“Evolution of Imagination” (Mithen)

exceptionality thesis

Exit the King (Ionesco)

Exton, Andrew

facial feedback hypothesis

The Faerie Queene (Spenser)

failed empathy

Fanny (Feydeau)

Fanon, Frantz

Farhadi, Asghar

Fassbinder, Rainer Werner

Fauconnier, Gilles

blending theory and

mental spaces and

on time as space

Faulkner, William

The Feeling of What Happens (Wordsworth)

Fellini, Federico.

See

8 1/2 (Fellini)

Female Quixote (Lennox)

Feydeau, Ernest-Aimé

Fictional Minds (Palmer)

Fielding, Sarah

film theory

cognitive cultural approach to

facial expressions and

filmmakers as folk psychologists and

forking-path narratives and

James Dean effect and

mind-reading and

monsters and

peak-end rule and

peripeteia (dramatic reversals) and

point-of-view structures and

“scenes of empathy” and

twofoldedness and

“The Final Problem” (Doyle)

Fischbein, Efraim

Fischer, Emile

Fischhoff, Baruch

Fish, Stanley

Fisher, R. A.

“Fish Wedding” (cartoon)

Fiske, Susan

Fitzgerald, F. Scott

Flanagan, Matthew

Flaubert, Gustav

free indirect discourse in the work of

Madame Bovary and

narrative perspective of

Flesch, William

Fletcher, C.R.

“Florida effect,”

Fludernik, Monika

fMRI (functional Magnetic Resolution Imagery)

blood flow to the brain detected by

cognitive historicism and

concentration and

empathy and trauma narratives and

eye tracking and

functional connectivity studies and

literary neuroscience and

neuropsychology of emotion and

folk psychology

Fontane, Theodor.

See

Effi Briest (Fontane)

Forceville, Charles

Forster, E.M.

Bloomsbury Group and

internalist view of sexuality and

on the minds of fictional characters

on understanding others

Fortier, Mark

Foster, Jerry

Foster, Jodie

Foucault, Michel

discourses and

on epistemological shifts of early modern era

on sexuality as a historical construction

on “visible signatures” in nature

The Four Pennies (music group)

Foy, Betty

Frank, Arthur

Frank, Joseph

Frank, Robert

French Revolution

Freud, Sigmund

confirmation bias and

on heteronomativity and civilization

hierarchy of psychic systems and

literary theory and

pleasure principle and

the repressed and

unconscious mind and

Fried, Michael

Frost, Robert

“Frost at Midnight” (Coleridge)

fundamental attribution error

Fuss, Diana

Futabatei Shimei

Galen

Galison, Peter

Galton, Francis

Gamer, Michael

game theory

See also

decision theory

Gandharva Veda

gaps in storytelling.

See

narrative gaps

García Márquez, Gabriel

Gatten, Aileen

Gay, John

Genet, Jean

Genette, Gérard

Gerrig, Richard

gesaku (printed woodblock fiction of Japan’s Edo period)

Gibbs, Raymond W.

Gide, André

Gigerenzer, Gerd

Gilbert, Daniel

Gilray, James

Gilroy, Paul

“Gin Lane” (Hogarth)

Girl with the Pearl Earring (Vermeer)

GLAAD (The Gay and Lesbian Alliance Against Defamation)

Gladwell, Malcolm

Glanzman, Dennis L.

The Godfather (film)

Godwin, William

Goethe, Johann Wolfgang

Goffman, Erving

The Goldfinch (Tartt)

Goldsmith, Oliver

Goldstein, Rebecca Newberger

Gone with the Wind (film)

Gone with the Wind (Mitchell)

Gonzalez, Rigoberto A.

Good Bye, Dragon Inn (Tsai)

“Good Ole Boys Like Me” (Don Williams)

aspectual story world in

Bildungsroman quality of

full lyrics of

identity construction in

narrator’s mental state in

nonrepeated and monosyllabic words in

social cognitive networks in

summary of cultural references in

temporal progression in

Gopnik, Alison

Gora (Tagore)

Goren, Harriet

Grandin, Temple

cattle industry and

memoirs of

Sacks on

visualization of mental imagery and

Grant, Cary

The Grapes of Wrath (Steinbeck)

The Grateful Dead

Great Expectations (Dickens)

The Great Gatsby (Fitzgerald)

Green, Melanie

on cognitive and emotional features of transport

on effects of transport

factor analytic approach of

on feeling of being lost in a book

on multidimensional nature of transport

“Murder in the Mall” case study and

on transport and critical thinking

on transport and readers’ adoption of beliefs

on transport and surface structures

on transport and visual imagery

transport defined by

transport experiments of

Greenblatt, Stephen

The Grey (film)

Grodal, Torben

grotesques

definition of

in early modern Italy

in revenge plays

in Shakespeare’s plays

Groundhog Day (film)

Guillory, John

Guthrie, Woody

Haggard, Merle

See also

“Okie from Muskogee” (Haggard)

Haidt, Jonathan

Haiti earthquake (2010)

Hallwell, Stephen

Halperin, David

Hamilton, William

Hamlet (Shakespeare)

Hammett, Dashiell

Harpham, Geoffrey Galt

Harris, Lasana

Harry Potter series (Rowling)

Hart, F. Elizabeth

Hartman, Geoffrey

Hastings, Warren

Hauer, Rutger

Hawkes, David

Hawks, Howard

Hawthorne, Nathaniel

Hayles, Katherine

Haywood, Eliza

Hazlitt, William

Heald, Anthony

Heart of Darkness (Conrad)

Hedda Gabler (Ibsen)

Hegel, G.W.F.

Heidegger, Martin

Hemingway, Ernest

Hendrix, Jimi

Hentoff, Nat

Herman, David

on classical narratology

exceptionality thesis and

hypothetical focalization and

on intentional systems of stories

Rabinowitz and

on transition from source state to target state

on Woolf, Joyce and interiority

A Hero of Our Time (Lermontov)

Herranz, Miguel

hindsight bias

His Girl Friday (film)

The History of Pendennis (Thackeray)

Hobbes, Thomas

Hogan, Patrick Colm

Hogarth, William

Hogg, James

Holmes, Dennis

Holquist, Michael

homeostasis

Homer

homologies

Hopkins, Anthony

Hosler, Jay

House of Leaves (Danielewski)

Huettel, Scott

Huffer, Lynne

Hühn, Peter

Human Rights and Narrated Lives (Schaffer and Smith)

human rights discourse

as a doctrine of universals

false empathy and

literary cognitivism and

narrative empathy and

postcolonial theory and

Hume, David

Hunt, Lynn

Hunter, Kathryn Montgomery

Huston, John

Hutchins, Pat

Huxley, Aldous

Huysmans, Joris-Karl

hyperbolic discounting

Iacoboni, Marco

Ibsen, Henrik

The Idiot (Dostoyevsky)

“The Idiot Boy” (Wordsworth)

“I Don’t Believe in Sex after Marriage” (Exton)

If on a winter’s night a traveler (Calvino)

“I Hate Goodbyes” (song)

The Iliad (Homer)

“I’ll Change Your Flat Tire, Merle” (song)

imagery.

See also

aesthetic experience

brain’s default model network and

“bridge test” and

coherent principles of

fMRI studies of responses to

individuals’ varying visualizations of

intense aesthetic response to

memory and

mere exposure effect and

motion and

multisensory nature of

neuroscience of processing

neuroscience of reading and

object imagery from literary texts and

pleasure and

poets’ and novelists’ experiences with

text-driven spatial imagery and

visual responses to read words and

visual responses to spoken language and

imagination

blending and

brain’s default mode network and

daydreaming and

definition of

deterrent effect of

episodic future thinking and

literary theory on

memory and

mental imaging and

navigation and

neuroscience studies of brain anatomy and

Romanticism and

synthetic imagination and

Imagination and the Meaningful Brain (Modell)

Immortality (Kundera)

“Immortality Ode” (Wordsworth)

induced fit model

Industrial Revolution

Ingarden, Roman

In My Language (Baggs)

In Search of Lost Time (Proust)

access to the mind represented by

cognitive flavor and

discussions on knowing others in

internalist view of sexuality and

Judaism and

on knowing others

linkage between memory and aesthetics in

Lolita and

narratology of the moment and

Nussbaum on

reference to fictiousness of events in

synesthesia and

voyeurism represented in

In Search of Respect: Selling Crack in El Barrio (Bourgois)

Inside/out: Lesbian Theories, Gay Theories

“Interlude of the Four Elements” (Rastell)

intertemporal bargaining.

Interview with the Vampire (Rice)

“In the Pines,”

Intruder in the Dust (Faulkner)

intuition

Inventing Human Rights (Hunt)

Ion (Plato)

Ionesco, Eugène

Irving, John

Iser, Wolfgang

“I would like my love to die” (Beckett)

Jackson, Stonewall

Jacques the Fatalist (Diderot)

Jakobson, Roman

James, Henry

James, William

James Dean effect

James I (king of England)

Jameson, Fredric

Janin, Joël

Jauss, Hans Robert

Jaynes, Julian

Jensen, Deborah

Johnson, Barbara

Johnson, Blind Willie

Johnson, Dan R.

Johnson, Mark

cognitive linguistic theory and

cognitive metaphor theory and

on image schemas

Johnson, Samuel

on anticipation

on concentration in reading

imagination and

Johnson-Laird, Philip

Jones, George

Joyce, James

Molly Bloom character of

stream of consciousness writing of

Woolf on

Jung, Carl

Just, Marcel Adam

Kagan, Jerome

Kahneman, Daniel

cognitive resources allocation and

on “experiencing self” and “remembering self,”

groupthink and

hindsight bias and

James Dean Effect and

on “our blindness to our blindness,”

peak-end rule and

on System 1 and System 2 thinking

Kalahari Bushmen

Kane, Julie

Kant, Immanuel

Kaplan, Stephen

Karatani Kōjin

Kashmir

Kaufman, Charlie

Kay, Paul

Kazan, Elia

Keating, Patrick

Keen, Suzanne

Kesebir, Selin

Kieran, Matthew

Kieslowski, Krzysztof.

See

Blind Chance (Kieslowski)

Kihlstrom, John

The Killer (Woo)

Kincaid, Jamaica

King Lear (Shakespeare)

Kintsch, W.

“Klopstock moments,”

Koshland, Daniel

Kosslyn, Stephen

Kozhevnikov, Maria

Krakauer, David

Krammick, Jonathan

Krik? Krak! (Danticat)

Kuhn, Thomas

Kuiken, Don

Kuleshov effect

Kundera, Milan

Kurosawa, Akira

Kyd, Thomas

LaBerge, D.

Lacan, Jacques

“Lady with a Dog” (Chekhov)

Lakoff, George

cognitive linguistics and

cognitive metaphor theory and

on image schemas

Landy, Joshua

Lane, Anthony

“Laocoön and His Sons” (sculpture)

Laokoön (Lessing)

La Regenta (Alas)

catharsis and

competition of suitors depicted in

Don Alvaro character in

Don Fermín character in

Donna Ana Ozores character in

empathic sadism and

implied reader and

predictive (self-empowering) empathy and

Larsen, Nella

Latin America

Laud, Archbishop William

Laws (Plato)

Leach, Edmond

Lead Belly

Leboe, Jason

Le Carré, John

Le Chiendent (Queneau)

L’eclisse (film)

Ledbetter, Huddie.

See

Lead Belly

Lederer, Charles

Lehrer, Jonah

Lemnius, Levinus

Lennox, Charlotte

Lermontov, Mikhail

Les damnés de la terre (Fanon)

Lessing, Gotthold

Letter to M. D’Alembert on the Theatre (Rousseau)

Levine, Ted

Levy, Dore J.

Lewes, George Henry

Libet, Benjamin

“Lining Track” (song)

Lipps, Theodor

Literary Darwinists

literary neuroscience

Austen and

brain physiology and

close reading versus pleasure reading and

cognitive historicism and

“cognitive load” processing and

concentration and

fMRI readings and

neuroplasticicty and

Stroop test of directed attention and

Living Theater

Locke, John

Lolita (Nabokov)

“The Longest Train I Ever Saw” (song)

The Long Goodbye (Chandler)

narratology of cognitive flavor and

representations of mind-reading in

tiger trap scene in

Lorre, Peter

lucid dreaming

Lukács, Georg

Luria, Alexander

Lynch, David

Lyrical Ballads (Wordsworth and Coleridge)

preface of

re-presenting the past in

“The Thorn” included in

Madame Bovary (Flaubert)

adultery depicted in

cotton stockings in

Effi Briest and

ironic treatment in

La Regenta and

staying power of

“The Mad Mother” (Wordsworth)

The Making of Americans (Stein)

Mallarmé, Stéphane

The Maltese Falcon (film directed by John Huston)

The Maltese Falcon (Hammett)

The Manchurian Candidate (film)

Mandler, Jean

“Ma Negresse” (song)

Mannoni, Octave

Mansfield Park (Austen)

class politics in

Fanny Price as sympathetic character in

literary neuroscience study of

opening chapter of

second chapter of

Margulis, Lynn

Mark, Gospel of

Markandaya, Kamala

Marks, David

Martindale, Colin

Matsumoto, D.

Matthew, Gospel of

McCarthy, Cormac

McEwan, Ian

McFarland, Sam

McHale, Brian

McNeill, Daniel

McRaney, David

McTiernan, John

Measure for Measure (Shakespeare)

Melville, Herman

Memento (film)

Memmi, Albert

memory formation physiology

metabolism.

See

enzyme catalysis

metaphors

Aristotle on

blending and

cartoons and

category extension and

cognitive metaphor theory and

communication of complex phenomena and

of transport

Metaphysics (Aristotle)

Meteorology (Aristotle)

metrarepresentation

Miall, David

Michelangelo

Michigan State University Digital Humanities and Literary Cognition lab

Midnight’s Children (Rushdie)

Mill, John Stuart

Milton, John

on desire and satisfaction

equity law and

flash lag effect and

Satan depicted by

sensory quality of descriptions by

similes and

on tragedy and purging of emotion

The Mind and Its Stories (Hogan)

mind-reading.

See also

theory of mind

film theory and

narratology of the moment and

representations of in The Long Goodbye

In Search of Lost Time in

“Recitatif” in

psychological altruism and

Zunshine on

The Mind Tree (Mukhopadhyay)

Mīrābāī

mirror boxes

Mishima Yukio

Mist (Unamuno)

Mitchell, Margaret

Mitchell, W.J.T.

Mithen, Steven

Mittell, Jason

Miyoshi, Masao

Moby-Dick (Melville)

Modell, Arnold

Modern Language Association

Molière

Molton, Samuel

Monroe, Bill

Monroe, Vaughn

Monsoon Wedding (Nair)

Montaigne, Michel de

Moon, Michael

Moore, Henry

The Moral Imagination (Mark Johnson)

Moretti, Franco

Morgan, Monique

Mori Ōgai

Morrison, Toni

racial difference represented by

social minds represented by

“triple source” reading and

unreliable representation by narrators of

Mosjoukine, Ivan

Motes, Michael

Mother Courage and Her Children (Brecht)

Mottron, Laurent

Moulin Rouge (film)

Movshon, Tony

Mr. Potter (Brecht)

Mrs. Dalloway (Woolf)

Much Ado about Nothing (Shakespeare)

Mukhopadhyay, Tito

coalmining disaster recounted by

conversion of verse into prose by

Moby-Dick and

poetry by

Savarese’s interaction with

synesthetic perception and

visualization of language by

Mullis, Kary

Munch, Edward

Munsterberg, Hugo

Murasaki Shikibu.

See

The Tale of the Genji (Murasaki)

“Murder in the Mall” (Green case study)

Nabokov, Vladimir

Anna Karenina and

on Lolita and moments of “aesthetic bliss,”

Proust and

similarity to Pale Fire narrator of

sociocognitive complexity in the work of

unreliable narrator in Lolita and

Naipaul, V.S.

Nair, Mira

The Naïve and the Sentimental Novelist (Pamuk)

Nandy, Ashis

Narayan, Venkat

Narrative as Virtual Reality (Ryan)

Narrative Discourse (Genette)

narrative empathy

altruism and

bounded strategic empathy and

bridge characters and

broadcast strategic empathy and

definition of

human rights discourse and

literary neuroscience and

strategic narrative empathy and

narrative gaps

binding of

colliding narratives and

Doležel on

ellipsis and

Henry James on

jamming of

narrative compression and

quantum narrativity and

shadow stories and

stills at the end of films and

trauma and

narratology of the moment

aftertaste situations and

angle and

cognitive flavor and

consistency and

counterpoint and

depth and

emotional valence and

extensions and

fusion texts and

“Klopstock moments” and

mode and

multiplicity and

occlusion and

“OMG” moments and

patterns and

polyphony and

reciprocity and

representations of mind-reading and

sequence and

“We’ll Always Have Paris” moments and

Nash Equilibrium

Native Son (Wright)

Natsume Sōseki

Natya Shastra

Nectar in a Sieve (Markandaya)

nested mental states

in The Adventures of Tom Sawyer

computers’ attempts to detect

in Romeo and Juliet

sociocognitive complexity and

in The Story of the Stone

summary description of

The Neural Sublime (Alan Richardson)

neurobiological materialism

neurocosmopolitan approach to poetry

Ngũgĩ wa Thiong’o

“Nick Adams stories” (Hemingway).

See

“Big Two-Hearted River” (Hemingway)

Nicomachean Ethics (Aristotle)

Nietzsche, Friedrich

“The Nightingale” (Coleridge)

Nightmare on Elm Street (film)

“Night Women” (Danticat)

Nirvana (music group)

Nisbett, Richard

Njogu, Kĩmani

Nobody, Nowhere (Donna Williams)

No Country for Old Men (McCarthy)

Nolan, Christopher

Northanger Abbey (Austen)

Norway

Notebooks (Coleridge)

Notes from the Underground (Dostoyevsky)

novelty

cognitive conception of

defamiliarization and

disruption of cognitive propensity for narrative and

formalism and

habituation and

“horizontal change” and

literary work’s offering of

Marxist perspective on

meaningfulness and

new environments’ impact on

Pound’s call for

reader response theory and

Nussbaum, Martha

on disgust

on emotions as “intelligent responses to perceptions of value,”

on emotions’ role in reasoning

on “good world citizens,”

on literature and emotion

on love and resentment

Mīrābāī and

“painful self-examination” and

on “the ascent of love,”

Oatley, Keith

object imagery from literary texts

O’Brien, Flann

Ochs, Phil

Odd Tablet (commentator on The Story of the Stone)

The Odyssey (Homer)

Oedipus

“Okie from Muskogee” (Haggard)

five stages of cultural reception to

full lyrics to

good ole’ boy attitudes in

group identity and

identity construction in

“implied composer” of

nonrepeated and monosyllabic words in

summary of cultural references in

Vietnam War and

The Old Man and the Sea (Hemingway)

On Chesil Beach (McEwan)

One Hundred Years of Solitude (García Márquez)

Ong, Walter

On Generation and Corruption (Aristotle)

online-prominence model

cognitive resources in reading and

conscious introspection and

diagnostic signals and

discourse processing and

fluctuations in mental capacity over time and

“ideal reader” model contrasted with

measuring online prominence and

personal reactions and

prominence of processing components and

reallocation signals and

signals determining prominence and

story processing and

On the Heavens (Aristotle)

optical illusions

“Orange” (Mukhopadhyay)

The Order of Things (Foucault)

Østby, Ylva

Otis, Laura

Paivio, Allan

Pale Fire (Nabokov)

palimpsests

Palliser novels (Trollope)

Palmer, Alan

on crossing narrative fragments in Lead Belly

on fictional narrative and mental functioning

intermental units and

on internalist and externalist views of consciousness

relationship between fictional and real minds and

on social minds in fiction

Pamela; or Virtue Rewarded (Richardson)

Pamuk, Orhan

Parable of the Sower ( Octavia Butler)

Paracelsus

Paradise Lost (Milton)

flash lag effect and

Pandemonium described in

Satan depicted in

Park, Katherine

Parker, Charlie

Parsons, Gram

Pascal, Blaise

Passing (Larsen)

“Paterson” (William Carlos Williams)

peak-end rule

film theory and

Kahneman on

unconscious mind and

Peau noire, masques blancs (Fanon)

Peckham, Morse

on adaptive value of chaos in art

on disorder’s incubation against new understanding

on the human drive for order

Peel, David

Percy, Thomas

Persson, Per

Persuasion (Austen)

concentration represented in

literary neuroscience study of

opening scene in

Peskin, Joan

Pessoa, Ferdinand

Petals of Blood (Ngũgĩ wa Thiong’o)

Phelan, James

Philadelphia (Demme)

Phillips, Natalie

The Photoplay (Munsterberg)

Physics (Aristotle)

Pierce, Charles Sanders

“Pine Grove Blues” (song)

Pinturiccio

Pirandello, Luigi

Plantinga, Carl

Plato

on desire and satisfaction

imagination and

Ion and

Laws and

mimesis and

on the Muse

Republic and

Shelley on

on theater and emotion

Playing by Ear and the Tip of the Tongue (Tsur)

Poe, Edgar Allan

Poetics (Aristotle)

poetry.

concrete diction in

neurocosmopolitan approach to

as “paradoxical language of illiteracy,”

patterning techniques and

Point Counter Point (Huxley)

The Political Unconscious (Jameson)

Pope, Alexander

Porter, Dahlia

Porter, Gerald

Portrait (Don Williams)

Portrait du colonisé, précédé par portrait du colonisateur (Memmi)

The Portrait of a Lady (James)

Posner, Jonathan

Postcolonial Melancholia (Gilroy)

postcolonial theory

cognitive literary studies and

cognitivist Marxism and

critique of mainstream version of

derivative colonialism and

empathy and

hybridity and

identity and

in-group and out-group dynamics and

Latin America and

Literary Darwinists and

performance and

postcolonial neurology and

poststructuralism, post-poststructuralism and

psychology and

race and

resistance to universals and

“turn toward the human” and

poststructuralism

Pound, Ezra

prefronal cortex

The Prelude (Wordsworth)

creative process discussed in

historically prospective nature of

preface of

science and history of feeling and

spatial form and

spots of time in

The President (Asturias)

“President’s Daily Briefing” (August 6, 2001)

Price, George R.

Pride and Prejudice (Austen)

Prince, Dawn

Prinz, Jesse

Prior, Matthew

“Prison” (Heranz)

Prometheus (Scriabin)

Propp, Vladimir

Proust, Marcel.

See

In Search of Lost Time (Proust)

psychoanalysis

psychoanalytic unconscious

Psychologie de la colonisation (Mannoni)

“Psychology and Form” (Burke)

“Psychology’s Missing Contexts” (Kagan)

Ptolemy

Pure Prairie League

Pynchon, Thomas

quantum narrativity

Quarles, Philip

queer theory

AIDS epidemic and

“Axiom #1” (Sedgwick) and

cognitive queer theory and

on desire as the copying of the desires of others

homophobia and

inside/out question and

interiority in Japanese literature and

psychoanalysis and

Queneau, Raymond

Rabinowitz, Peter J.

Radway, Janice

Ramazani, Jahan

The Rambler (Samuel Johnson)

Ramón y Cajal, Santiago

Raney, Arthur A.

rape.

Bourgois on the normalcy of rape in street culture and

contempt, anger, and disgust (CAD) hypothesis and

in detective and cop fiction

masculine gender role socialization and

moral disgust and

narrative function of in antihero dramas and

real life versus fiction and

repulsive rapist figure and

revenge and

Rashomon (Kurosawa)

Rasselas (Samuel Johnson)

Rastell, John

The Reader’s Eye (Esrock)

Reading in the Brain (Deheane)

reality effect

in Anna Karenina

Barthes on

discourse comprehension and

epistemological tension and

fragmentary clues and

ontological tension and

Pamuk on

shadow stories and

structuralist perspective on

visual object perception and

Rebel without a Cause (film)

“Recitatif” (Morrison)

character narration and

“glitch” in

mothers represented in

narrative progression in

racial difference represented in

social minds represented in

“triple source” reading of

unreliable representation in

Recorde, Robert

Redelmeier, Don

Redgauntlet (Scott)

Red Inkstone (commentator on The Story of the Stone)

“Reflections on Having Left a Place of Retirement” (Coleridge)

Reichle, Erik D.

Reineberg, Andrew E.

Reliques of Ancient English Poetry (Percy)

“Re-minding Modernism” (Herman)

The Renaissance

Republic (Plato)

Rethinking Intuition

Revelation, Book of

revenge plays

early modern English court system and

failure of dying revenger in

grotesques in

rhetorical narrative theory

cognitive narrative theory and

narrative progression and

“Recitatif” (Morrison) and

unreliable narration and

Rice, Ann

Rice, Bill

Richard III (Shakespeare)

Richardson, Alan

cognitive literary studies defined by

on embodiment of the brain

on human rights discourse

on visualization of mental imagery

Richardson, Brian

Richardson, Linda

Richardson, Samuel

Clarissa and unreliable narrator in

Pamela and Clarissa as trial narratives and

Richmond, Diana

Ricoeur, Paul

Rimé, Bernard

The Rise of the Novel (Watt)

Robinson, John Elder

Robinson Crusoe (Defoe)

Rob Roy (film)

“Rock Island Line” (song)

Rohrer, Jason

Roja (film)

Romanticism.

Romeo and Juliet (Shakespeare)

Ronen, Ruth

Rosch, Eleanor

“A Rose for Emily” (Faulkner)

Rosencrantz and Gildenstern Are Dead (Stoppard)

Rosie’s Walk (Hutchins)

Rousseau, Jean-Jacques

Rowling, J.K.

Rozin, Paul

Rubin, Nava

Rubin, Sue

Rumbaut, Rubén

Run, Lola, Run (film)

Rushdie, Salman

Russell, Rosalind

Ryan, Marie-Laure

Sacks, Oliver

on the art of savants

on classical autism

on Grandin

on Mukhopadhyay

on Wiltshire

Sade, Marquis de

Saint Aethelthryth

Saint Catherine of Sweden

Saint Cecilia

Saint German, Christopher

Samuels, S.J.

Sartre, Jean-Paul

Saussure, Ferdinand de

Saussy, Haun

Savarese, DJ

Savarese, Ralph James

The Scarlet Letter (Hawthorne)

Scarry, Elaine

on artists’ uses of transparent surfaces

imagining under instruction and

on mental imaging and imagination

on the rewards of imagery

on spatial visualization and fiction reading

on visualization of mental imagery

on vivacity and literary aesthetics

Schacter, Daniel

Schaeffer, Jean-Marie

Schelling, Thomas

Schlegel, Friedrich

Schoenfeldt, Michael

Schooler, Jonathan

Schrödinger, Erwin

Schwarzenegger, Arnold

Scott, Walter

Scriabin, Alexander

Searle, John

Sedgwick, Eve Kosofsky

affect theory and

Axiom #1 and

homosocial continuum and

on knowledge and desire

male homosocial desire and

on Proust and sexual possession of another person

Seidensticker, Edward

Selden, John

Selemon, L. D.

self-reflexive fiction

characters complaining about authors and

characters who admit to being creatures of fantasy and

cultivation of divided state of mind by

Fellini’s 8 1/2 as example of

fictional characters becoming part of reality and

lucid dreaming and

narrators’ engagement with readers in

priming and

semiotics

sensory imbalance physiology

A Separation (film)

September 11, 2001 terrorist attacks

Serres, Michel

The Sessions (film)

The Seven Samurai (Kurosawa)

shadow stories.

Shakespeare, William

Antony and Cleopatra and

cognitive historicist readings of

equity law and

grotesques in the plays of

Hamlet and

King Lear and

Measure for Measure and

Much Ado about Nothing and

nested mental states depicted by

Richard III and

Romeo and Juliet and

Titus Andronicus and

Venus and Adonis and

As You Like It and

Shakespeare’s Brain (Crane)

Shalimar the Clown (Rushdie)

Shapin, Steven

Shapiro, James

Sharpe, Kevin

Shaughnessy, Nicola

Sheldon, Sidney

Shelley, Percy Bysshe

Sherlock Holmes stories

The Shield (television show)

Shin, Michael

Shklovsky, Viktor

Showalter, Elaine

Shur, Barry

Shweder, Richard

Sidney, Philip

The Silence of the Lambs (Demme)

Buffalo Bill character in

Clarice Starling character in

close-ups in

Dr. Chilton character in

Hannibal Lecter character in

homphobia and

Jack Crawford character in

photo stills from

shot-reverse shot sequences in

Simon, David

“Simon Lee” (Wordsworth)

Six Characters in Search of an Author (Pirandello)

Skolnick, Deena

Smallwood, Jonathan

Smetacek, Victor

Smiley’s People (Le Carré)

Smith, Adam

Smith, Murray

Smith, Sidonie

social anxiety

social intuitionism

social minds

Morrison’s representation of

Palmer on

Social Minds in the Novel (Palmer)

The Society for Cognitive Studies of the Moving Image

sociocognitive complexity

definition of

different from one reader to another as

correlated with characters’ age, gender, and class as

literary interpretations and

popular fiction and

Socrates

Somebody, Somewhere (Donna Williams)

Soni, Vivasvan

Sons of Anarchy (television program)

Sophie’s Choice (film)

The Sopranos (television program)

murder in

rape of Dr. Melfi character in

Tony Soprano character in

“Soul of a Man” (Blind Willie Johnson)

The Sound and the Fury (Faulkner)

The Sound of Music (film)

Source Code (film)

The Spanish Tragedy (Kyd)

spatial form

blending theory and

in effect

palimpsest structuring and

temporal distance and

in theory

ut pictura poesis poetry tradition and

Speak, Memory (Nabokov)

Spellbound (film)

Spenser, Edmund

Sperber, Dan

Spolsky, Ellen

Stanwyck, Barbara

Starr, G. Gabrielle

on authors’ use of multiple senses

on cognitive responses to visual art

on visualization of mental imagery

on visual responses to aesthetic art

Star Trek: The Next Generation (television program)

Stein, Gertrude

Steinbeck, John

Stella Dallas (film)

Stern, Daniel

Sternberg, Meir

Stinchecum, Amanda Meyer

Stone, Lawrence

Stoppard, Tom

Story Line (Marshall)

The Story of the Stone (Cao Xueqin)

author’s revisions to

computer analysis of mental states depicted in

explicit mental states in

Freudian reading of

gaps between explicit and implied mental states in

implied mental states in

mind-reading attempts in

nested mental states in

Odd Tablet commentary on

position within Chinese culture of

Red Inkstone commentary on

Saussy on

sociocognitive complexity in

Zhang Xinzhi commentary on

Storytelling in the New Hollywood (Kristin Thompson)

Strachey, Lytton

strategic narrative empathy.

Stravinsky, Igor

Stroop test of directed attention

Structuralist Poetics (Culler)

Sufferings of Young Werther (Goethe)

Sugase, Kenji

Swift, Jonathan

Tagore, Rabindranath

The Tale of Genji (Murasaki)

interiority depicted in

queer grammar of desire in

translation idiosyncrasies and

Tal-Or, Nurit

Tanizaki Jun’ichirō

Tarr, Bela

Tartt, Donna

Tartuffe (Molière)

Taylor, John R.

Taylor, Marjorie

Taylor, Shelley

“Tell Me My Lying Eyes are Wrong” (George Jones)

aspectual story world in

epistemology of pain and

full lyrics of

narrative gaps in

narrator’s inner cognitive functioning and

nonrepeated and monosyllabic words in

social cognitive networks in

The Ten Commandments (film)

Terms of Endearment (film)

text-driven spatial imagery

Thackeray, William

theater.

alienation effects and

catharsis and

coincident emotional states and

criterial prefocusing and

emotions and

empathy and

identification and

method acting and

mimesis and

pity and

theater of cruelty (Artaud)

Thelma and Louise (film)

theory of mind.

See also

folk psychology

The Story of the Stone and

cognitive function as

revenge plays and

cartoons in

queer theory and

imagination and

literary imagination and

nested mental states and

“This Lime Tree Bower My Prison” in

the default mode network and

close-ups of the human face and

not presuming a similar neurology, form of

novels and

“These Things Called Empathy: Eight Related but Distinct Phenomena” (Batson)

“The Straight Mind” (Wittig)

Thinking, Fast and Slow (Kahneman)

“This Lime Tree Bower My Prison” (Coleridge)

Thompson, Kristin

Thompson, Richard F.

Thomson, James

“The Thorn” (Wordsworth)

novelty of

repetition in

spatial poetics and

Thorpe, Kate

Three Sisters (Chekhov)

The Thresher’s Labour (Duck)

“Tintern Abbey” (Wordsworth)

Titanic (film)

Titus Andronicus (Shakespeare)

Tolstoy, Leo

Anna Karenina and

consciousness depicted by

reality effect and

War and Peace and

Tooby, John

top-down processes of cognition

Total Recall (Verheoven)

To the Lighthouse (Woolf)

Towards a “Natural” Narratology (Fludernik)

transport

attention and

cognitive processing and

correlational nature of evidence of

definition of

discourse style features and

effects of

empathizing with characters and

imageability and affect features of

introspective reports and

involvement and

literary processing and

meaning features and

metaphor of

narrative understanding and

nonfiction and

novelty and

prosocial behavior and

readers’ adoption of beliefs

surface structure and

unnecessary features of

weak nature of some evidence of

Trethewey, Natasha

Tristram Shandy (Sterne)

Trivia (Gay)

Trollope, Anthony

Tsai Ming-lai

Tsur, Reuven

Turgenev, Ivan

Turner, Mark

blending theory and

cognitive metaphor theory and

on time as space

“World Food Crisis” cartoon and

Tversky, Amos

Twain, Mark

Tyler, Royall

Ukigumo (Futabatei Shimei)

Ulysses (Joyce)

Unamuno, Miguel de

Uncle Remus character

unconscious mind

automaticity and

change blindness and

confirmation bias and

duration neglect

filmmakers’ exploitation of

flash lag effect and

fundamental attribution error and

groupthink and

heuristics and biases in

hindsight bias and

neuroscience and

overoptimism bias, mental health and

peak-end rule and

phenomenology and

popular guides to

priming effect and

psychoanalytic unconscious and

reason and

System 1 and System 2 thinking and

Understanding Cinema (Persson)

Universal Declaration of Human Rights

Upheavals of Thought (Nussbaum)

Urinal of Physicke (Recorde)

ut pictura poesis poetry tradition

Vaage, Margrethe Bruun

Valéry, Paul

van den Broek, P.

Van Dijk, T. A.

Vanity Fair (Thackeray)

Van Patten, Timothy

van Peer, Willi

Venus and Adonis (Shakespeare)

Verhoeven, Paul

Vermeer, Johannes

Vermeule, Blakey

Vertigo (film)

Vessel, Edward

Vietnam War

Villiers de l’Isle-Adam, Auguste

Vineland (Pynchon)

visual responses to read words

visual responses to spoken language

von Seggern, Jane

Wahl, Andrew

Waley, Arthur

Wallace, David Foster

Walton, Kendall

War and Peace (Tolstoy)

The Waste Land (Eliot)

Watt, Ian

Watts, Isaac

Waverly (Scott)

The Way We Think (Fauconnier and Turner)

We (Zamyatin)

Weerathesakul, Apichatpong

“We’ll Always Have Paris” moments

Welty, Mary

“Where Did You Sleep Last Night?” (Lead Belly)

focalized story world in

full lyrics of

identity construction in

“implied composer” of

narrative gaps and

nonrepeated and monosyllabic words in

“The Longest Train I Ever Saw” and

Whitefield, George

Why We Read Fiction (Zunshine)

Williams, Don

Williams, Donna

Williams, Hank

Williams, Tennessee

Williams, William Carlos

Wilshire, Bruce

Wilson, Hugh

Wilson, John

Wilson, Timothy

The Wire (television program)

D’Angelo Barksdale character in

rape and

Wee-Bey character in

Wittgenstein, Ludwig

Wittig, Monique

Wolf, Maryanne

Wolfe, Thomas

Wolfe, Tom

Wolfman Jack

Wollstonecraft, Mary

Woloch, Alex

Woo, John

Woodbridge, Linda

Woolf, Virginia

ego boundaries in the fiction of

embedded intentionality represented by

on Joyce

To the Lighthouse and

Mrs. Dalloway and

multilayered consciousness represented by

narrators in the fiction of

on The Tale of the Genji

Waley and

Wordsworth, William

bidirectionally focused state described by

blending theory and

cognitive metaphor theory and

Coleridge and

conversation poems of

The Feeling of What Happens and

“The Idiot Boy” and

on the imaginative process

“Immortality Ode” and

Lyrical Ballads and

“The Mad Mother” and

narrators with no stable identity in work of

novelty in the poetry of

“palimpsestically layered” experience and

on poetry as “the history and science of feeling,”

The Prelude and

re-presentation of the past by

“Simon Lee” and

spatial poetics of

stylistic redundancies of

“The Thorn” and

“Tintern Abbey” and

“World Food Crisis” (Chappatte)

Wright, Richard

Wuthering Heights (Emily Brontë)

Yearsley, Ann

Yi Kwang-su

Yoda, Tomiko

“You are Not So Smart” (blog)

Young, Allen

Young, Kay

Yu, Anthony C.

Zahavi, Amotz and Avishag

Zamyatin, Yevgeny

Zazie in the Metro (Queneau)

Zeki, Semir

ambiguity in art and

on art and neurobiology

on biology and the will

brain’s search for constancy and

incompleteness in art

innate versus acquired concepts and

on literature and emotion

Mīrābāī and

unity-in-love and

Zettel, Barbara

Zhang Xinzhi

Zunshine, Lisa

on cognitive perspectives and cultural explanations

on embedded consciousness and its limits

on embodied transparency

on historicization

on metarepresentation

on nested mental states and mind-reading in fiction

on the “sadistic benefactor,”

on the source behind a narrative

on source monitoring in the detective story

on theory of mind and literature

on unreliable narrators

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