Networked David Lynch: Critical Perspectives on Cinematic Transmediality
Networked David Lynch: Critical Perspectives on Cinematic Transmediality
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Abstract
Networked David Lynch is a multi-disciplinary reconsideration of Lynch’s œuvre in the context of the challenges and opportunities offered by transmedia environments and networks of the 21st century. This collection builds on state-of-the-art-research concepts like video-graphic criticism and video essays to provide a fresh and important approach to any study of David Lynch’s œuvre. As such, Networked David Lynch is an attractive entry point to current media theory and recent film history, appealing to cinephiles, academics, researchers, and students. This multi-disciplinary reader provides immediate relevance to university courses focusing on modern film history and on current theory in film, television, and media studies. The scope of approaches featured in the book provides an informative basis for courses on transmedia and media convergence, sound studies, musicology, cinema studies, cultural studies, and American studies.
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Front Matter
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Introduction:
Entering Lynchtown
Andreas Rauscher and others
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Part I Approaching Intertexts
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Part II Twin Peaks as Transmedia Network
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3
Singing the Body Electric: Myth and Electricity as Both Sides of a Metaphorical Coin in Twin Peaks: The Return1
Willem Strank
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4
The W/hole David Lynch: Twin Peaks: Fire Walk with Me
Constantine Verevis
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5
‘Is it future or is it past?’ Visual Effects in Twin Peaks: The Return
Jannik Müller
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That Gum You Like Isn’t Going to Come Back in Style: Twin Peaks 1990–1/2017, Nostalgia and the End of (Golden Age) Television
Bernd Zywietz
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‘Two Birds, One Stone’: Transmedia Storytelling in Twin Peaks1
Dan Hassler-Forest
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8
The World Spins: Transmedia Detours and Cinematic Configurations around Twin Peaks
Andreas Rauscher
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3
Singing the Body Electric: Myth and Electricity as Both Sides of a Metaphorical Coin in Twin Peaks: The Return1
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Part III David Lynch’s Transmedia Aesthetics
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9
Tracing the Lost Highway: Mythical Topography in David Lynch’s Los Angeles Trilogy
Marcus Stiglegger
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10
Structures of Female Desire, Control and Withdrawal in Lynch’s Cinematic Work
Lioba Schlösser
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11
Room to Meme: ‘David Lynch’ as Problematic and Self-evident Aesthetic Object in Digital Memes
Marcel Hartwig
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Tracing the Lost Highway: Mythical Topography in David Lynch’s Los Angeles Trilogy
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Part IV Videographic Criticism of David Lynch’s Cinematic Work
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12
Researching Audiovisually: Experiments in Videographic Criticism in David Lynch’s The Elephant Man and Blue Velvet1
Liz Greene
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13
A Form that Keeps Unravelling: On David Lynch, Spontaneity and Organic Fluidity in Videographic Essay Production and Academia
Chris Aarnes Bakkane
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Conclusion:
Leaving Lynchtown
Andreas Rauscher and others
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12
Researching Audiovisually: Experiments in Videographic Criticism in David Lynch’s The Elephant Man and Blue Velvet1
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End Matter
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