Post-1990 Documentary: Reconfiguring Independence
Post-1990 Documentary: Reconfiguring Independence
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Abstract
This book presents in-depth case studies focusing on the major aspects of post-1990 documentary practices and styles. The book questions the meanings of ‘independence’ for documentaries made in the post-1990 context, a period of unrivalled disruption and creativity in the field. Written from a wide range of academic perspectives, the book sheds new light on historical, theoretical, and empirical issues pertaining to the independent documentary, in order to better comprehend the radical transformations of the form over the past twenty years. The book focuses on works and practitioners existing at the margins of the traditional media, the mainstream film industry, and the prevailing economic and socio-political systems. In doing so, it addresses an important gap in the global understanding of documentary practices and styles. The book provides critical and detailed insight into contemporary independent documentary makers and their varied works, practices and uses and offers a variety of perspectives and interpretations of under studied contemporary subject matters and styles, as well as production, distribution, and exhibition strategies.
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Front Matter
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Introduction
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Part I History and Spaces of Resistance
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1
Post-unification (East) German Documentary and the Contradictions of Identity
Barton Byg
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2
No Going Back: Continuity and Change in Australian Documentary
Deane Williams andJohn Hughes
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3
A Space in Between: The Legacy of the Activist Documentary Film in India
Camille Deprez
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4
Languages, Speech and Voice: The Heritage of Jean Rouch and Pier Paolo Pasolini in Convention: Black Wall / White Holes
Eric Galmard
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5
Chris Marker: Interactive Screen and Memory
Kristian Feigelson
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1
Post-unification (East) German Documentary and the Contradictions of Identity
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Part II The Personal Experience
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6
The Survivor–Perpetrator Encounter and the Truth Archive in Rithy Panh’s Documentaries
Raya Morag
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7
Contesting Consensual Memory: The Work of Remembering in Chilean Autobiographical Documentaries
Juliette Goursat
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8
‘We All Invented Our Own Algeria’:1 Habiba Djahnine’s Letter to My Sister as Memory-Narrative
Sheila Petty
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9
From the Ashes: The Fall of Apartheid and the Rise of the Lone Documentary Filmmaker in South Africa
Liani Maasdorp
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10
A Personal Vision of the Hong Kong Cityscape in Anson Mak’s Essayistic Documentary Films One Way Street on a Turntable and On the Edge of a Floating City, We Sing
Mike Ingham
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6
The Survivor–Perpetrator Encounter and the Truth Archive in Rithy Panh’s Documentaries
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Part III Displacement, Participation and Spectatorship
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11
Documentary Filmmakers on the Circuit: A Festival Career from Czech Dream to Czech Peace
Aida Vallejo
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12
Material Traces of Lebanon: A Documentary Aesthetics of Feeling in the Art Gallery
Tess Takahashi
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13
Autonomous Navigation? Multiplicity and Self-reflexive Aesthetics in Sergio Basso’s Documentary Film Giallo a Milano and Web Documentary Made in Chinatown
Hilary Chung andBernadette Luciano
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14
Fukushima and the Shifting Conventions of Documentary: From Broadcast to Social Media Netizenship
Mick Broderick andRobert Jacobs
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15
Independent Documentaries and Online Uses in China: From Cinephilia to Activism
Judith Pernin
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11
Documentary Filmmakers on the Circuit: A Festival Career from Czech Dream to Czech Peace
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Conclusion
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End Matter
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