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This collective volume is the continuation of our long-term research projects on Indian and Chinese independent documentary film. First of all, we are truly indebted to all the contributors, who accepted the challenge of embarking upon this long-distance journey and opened up the debate from all over the world. Our sincere gratitude goes to Ian Aitken for his continued support and editorial advice, and to Anson Mak for accepting a very inspiring initial interview, which ultimately did not find a place in this volume. Joni Gutierrez’s assistance with the day-to-day handling of exchanges with contributors and other editorial tasks was invaluable, as much as Stacy Mosher’spatient proofreading. We also would like to thank Julia Zelman for hermeticulous translation of Kristian Feigelson’s chapter, Kelly Li for contributing to the book coordination and Joe Fu for providing timely technical aid with illustrations. Finally, we are beholden to our respective institutions, the CEFC and particularly the School of Communication of Hong Kong Baptist University, for its editorial funding support, without which this project may not have turned into reality.
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