
Contents
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Tolstoy Publishes His Confession Tolstoy Publishes His Confession
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The Conversion Narrative: Excursus on the Genre The Conversion Narrative: Excursus on the Genre
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Tolstoy’s Confession: Step by Step Tolstoy’s Confession: Step by Step
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Tolstoy’s Confession Related to Rousseau’s and Augustine’s Tolstoy’s Confession Related to Rousseau’s and Augustine’s
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After Confession: “Presenting Christ’s Teaching as Something New after 1,800 Years of Christianity” After Confession: “Presenting Christ’s Teaching as Something New after 1,800 Years of Christianity”
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Coda: Tolstoy’s Influence Coda: Tolstoy’s Influence
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Three Tolstoy’s Confession: What Am I?
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Published:November 2014
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Abstract
This chapter studies Tolstoy's Confession (1882) as well as his subsequent religious treatises. As a classic conversion narrative, Tolstoy's Confession achieves a paradoxical effect: it creates a rift between the “I” who writes the narrative and the “I” who has lived the life it describes. At the end, with the “awakening,” the former “I” catches up with the present of writing. However, once the work of conversion is done, the “I” moves toward its own dissolution as self: the new, post-conversion self is beyond time and beyond narrative. Naturally, Tolstoy's Confession receives its meaning from his previous reputation as a writer, but it signals a decisive change not only in his idea of the self but also in his concept of authorship.
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