..., concentrating on four films that illustrate her unique praxis: Elsa la Rose, Uncle Yanco, Les Glaneurs et la glaneuse, and Deux Ans Après. It then discusses Varda's cinécriture as based on an embodied vision of the world...

... is based on the encounter with the other, and marked by a consistent concern for the capture and preservation of images. This is most evident in the four films discussed in the chapter: Mur, Murs, Documenteur (1980–81), Sans Toit ni Loi, Les Glaneurs et la glaneuse...