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Front Matter
Published: 04 February 2014
Chapter
The Fragment and the Infinite, or, the Hypothesis of the Third Term in the Cinema of Alexander Sokurov Get access
Jeremi Szaniawski
Published: 04 February 2014
Chapter
Mournful Insensitivity: The Apocalypse of the Modern Get access
Jeremi Szaniawski
Published: 04 February 2014
Chapter
The Second Circle: Winter, Light, and the Intimate Sublime Get access
Jeremi Szaniawski
Published: 04 February 2014
Chapter
Mother and Son: Time Abolished, Time Transfigured Get access
Jeremi Szaniawski
Published: 04 February 2014
Image
Days of the Eclipse: close and ambiguous proximity between Malyano... Get access
in
The Cinema of Alexander Sokurov: Figures of Paradox
>
Days of the Eclipse: ‘Adieu, Babylone’; Adieu, Tarkovsky
Published: 04 February 2014
Days of the Eclipse : close and ambiguous proximity between Malyanov and Vecherovsky
Image
Days of the Eclipse: longing gazes as the two friends part ways Get access
in
The Cinema of Alexander Sokurov: Figures of Paradox
>
Days of the Eclipse: ‘Adieu, Babylone’; Adieu, Tarkovsky
Published: 04 February 2014
Days of the Eclipse : longing gazes as the two friends part ways
Image
The Second Circle: Malyanov, the feeble, prostrate young man lost ... Get access
in
The Cinema of Alexander Sokurov: Figures of Paradox
>
The Second Circle: Winter, Light, and the Intimate Sublime
Published: 04 February 2014
The Second Circle : Malyanov, the feeble, prostrate young man lost in the late Soviet snowstorm
Image
The Second Circle: the body of the father – echoes of Holbein Get access
in
The Cinema of Alexander Sokurov: Figures of Paradox
>
The Second Circle: Winter, Light, and the Intimate Sublime
Published: 04 February 2014
The Second Circle : the body of the father – echoes of Holbein
Image
The Second Circle: Like father, like son: Malyanov recognises hims... Get access
in
The Cinema of Alexander Sokurov: Figures of Paradox
>
The Second Circle: Winter, Light, and the Intimate Sublime
Published: 04 February 2014
The Second Circle : Like father, like son: Malyanov recognises himself in the dead father
Image
Save and Protect: a ‘gigantic’ Emma traverses a set of tiny houses... Get access
in
The Cinema of Alexander Sokurov: Figures of Paradox
>
The Second Circle: Winter, Light, and the Intimate Sublime
Published: 04 February 2014
Save and Protect : a ‘gigantic’ Emma traverses a set of tiny houses
Image
Mother and Son: echoes of Rubens and Caravaggio Get access
in
The Cinema of Alexander Sokurov: Figures of Paradox
>
Mother and Son: Time Abolished, Time Transfigured
Published: 04 February 2014
Mother and Son : echoes of Rubens and Caravaggio
Image
Christ in the Storm on the Genesareth Lake (Rembrandt, 1633) Get access
in
The Cinema of Alexander Sokurov: Figures of Paradox
>
Mother and Son: Time Abolished, Time Transfigured
Published: 04 February 2014
Christ in the Storm on the Genesareth Lake (Rembrandt, 1633)
Image
Ruins of Eldena, near Greifswald (Caspar David Friedrich, 1824–25)... Get access
in
The Cinema of Alexander Sokurov: Figures of Paradox
>
Mother and Son: Time Abolished, Time Transfigured
Published: 04 February 2014
Ruins of Eldena, near Greifswald (Caspar David Friedrich, 1824–25)
Image
Morning (Caspar David Friedrich, 1821) Get access
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The Cinema of Alexander Sokurov: Figures of Paradox
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Mother and Son: Time Abolished, Time Transfigured
Published: 04 February 2014
Morning (Caspar David Friedrich, 1821)
Image
Mother and Son: the son takes his mother for a walk Get access
in
The Cinema of Alexander Sokurov: Figures of Paradox
>
Mother and Son: Time Abolished, Time Transfigured
Published: 04 February 2014
Mother and Son : the son takes his mother for a walk
Image
Spring (Jean-François Millet, 1868–73) Get access
in
The Cinema of Alexander Sokurov: Figures of Paradox
>
Mother and Son: Time Abolished, Time Transfigured
Published: 04 February 2014
Spring (Jean-François Millet, 1868–73)
Image
Mother and Son: stasis and tension: the son’s neck tenses up as he... Get access
in
The Cinema of Alexander Sokurov: Figures of Paradox
>
Mother and Son: Time Abolished, Time Transfigured
Published: 04 February 2014
Mother and Son : stasis and tension: the son’s neck tenses up as he cries for his dead mother
Image
Movement and stillness: a fragment from Caravaggio’s Bacchus (1595... Get access
in
The Cinema of Alexander Sokurov: Figures of Paradox
>
Mother and Son: Time Abolished, Time Transfigured
Published: 04 February 2014
Movement and stillness: a fragment from Caravaggio’s Bacchus (1595)
