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Stylistic Features of the Hulk and Spider-Man Stylistic Features of the Hulk and Spider-Man
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The Challenge of Hulk The Challenge of Hulk
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Ten The Ultimate Outsider: Hulk
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Published:December 2014
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Abstract
This chapter considers the film Hulk (2003). The comic strip and comic book art forms provide very fresh and exciting media for exploration by a filmmaker. Joe Kubert dates the appearance of the first superheroes in comics to the mid-1930s. The unique nature of comic book and comic strip conventions can be explored on film: the vocabulary, the characters, the frame-by-frame narration, the humor, and speech versus thought bubbles, for example. The success of comic book films like Hulk and Spider-Man was largely dependent upon the film technology of computer-generated imaging. Lee's Hulk is about taking risks and attempting to transform the genre of hero-action movies in the same way he has experimented with the conventions of “genre” in his past films. While the Hulk was not the best comic book film, and not the most successful of Lee's movies, the shadow of what the director is looking for appears in the film: the continued desire to invite the outsider in, to render acceptable what is unacceptable.
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