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The “Metrical Law” The “Metrical Law”
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Ode Histories Ode Histories
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Patmore’s English Ode Patmore’s English Ode
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“What Is Ode?” “What Is Ode?”
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“The Azalea” “The Azalea”
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6 Coventry Patmore’s Passionate Pause
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Published:September 2024
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Abstract
This chapter argues that Coventry Patmore’s synthesis of Romantic literary historiography, ode theory, and Tennysonian formalism allowed him to develop a quasi-scientific system for putting feelings into poetic forms. Examining Patmore’s 1850 review of In Memoriam, his influential “Essay on English Metrical Law,” and his late elegiac odes, the chapter explores the historiographic aspects of Patmore’s prosodic thought. Patmore’s prosody intervenes in the conversations about rhyme and the nature of the ode that he began to engage in his In Memoriam review. Was the ode, as Edmund Gosse believed, a transhistorical genre rooted in Greek poetry, or was it, as J. G. Herder had argued, a dynamic idea about how individual poetic cultures express themselves? And what was rhyme’s role in a truly English ode? In the elegiac odes of The Unknown Eros (1877), Patmore puts his historiographic and affective theory to the test, constructing coherent systems of feeling from irregular patterns of rhyme and pause. In doing so, he aspires to a new poetic idiom—distinct from both classical and romantic prosodies, and suggestive of modernist free verse—where form and feeling might be more perfectly in tune.
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