
Contents
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Stanzaic Meaning, Stanzaic Feeling Stanzaic Meaning, Stanzaic Feeling
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Poems, Chiefly Lyrical Poems, Chiefly Lyrical
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Sismondi and the Poetry of Sensation Sismondi and the Poetry of Sensation
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“Recollections of the Arabian Nights” “Recollections of the Arabian Nights”
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“The Ballad of Oriana” “The Ballad of Oriana”
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3 Alfred Tennyson’s Lyric Stanza
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Published:September 2024
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Abstract
This chapter tracks the influence of Arthur Hallam’s thought on Tennyson's career, which spanned the remainder of the nineteenth century and yielded some of its most canonical poems. Focusing on Poems, Chiefly Lyrical (1830), it demonstrates Tennyson’s serious engagement with Hallam’s Sismondian idea of affective prosody. In the stunning technical and tonal variety of Poems, Tennyson is thinking, along with Hallam, about the Arabic and Provençal roots of modern lyric: the medieval ideal of matching form to feeling and the burst of stanzaic invention that resulted from it. The melancholic rhymes of “Tears, Idle Tears” (1847) and In Memoriam (1850) represent a more mature if less transparently historical development of affective form. By turning general literary history and its genetic thinking into an interpretive and creative method, Hallam and Tennyson devise a Victorian historiographic poetics.
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