Music and Revolution: Cultural Change in Socialist Cuba
Music and Revolution: Cultural Change in Socialist Cuba
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Abstract
This book provides an introduction to the most prominent artists and musical styles that have emerged in Cuba since 1959 and to the policies that have shaped artistic life. The author gives readers a chronological overview of the first decades after the Cuban Revolution, documenting the many ways performance has changed and emphasizing the close links between political and cultural activity. Offering a wealth of details about music and the milieu that engendered it, he traces the development of dance styles, nueva trova, folkloric drumming, religious traditions, and other forms. The author describes how the fall of the Soviet Union has affected Cuba in material, ideological, and musical terms, and considers the effect of tense international relations on culture. Most importantly, the book chronicles how the arts have become a point of negotiation between individuals, with their unique backgrounds and interests, and official organizations. It uses music to explore how Cubans have responded to the priorities of the revolution and have created spaces for their individual concerns.
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Front Matter
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Introduction Music and the Arts in Socialist Cuba
Robin D. Moore
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1
Revelry and Revolution: The Paradox of the 1950s
Robin D. Moore
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2
Music and Social Change in the First Years
Robin D. Moore
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3
Artistic Institutions, Initiatives, and Policies
Robin D. Moore
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4
Dance Music and the Politics of Fun
Robin D. Moore
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5
Transformations in Nueva Trova
Robin D. Moore
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6
Afro-Cuban Folklore in a Raceless Society
Robin D. Moore
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7
Ay, Dios Ampárame: Sacred Music and Revolution
Robin D. Moore
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8
Music and Ideological Crisis
Robin D. Moore
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Conclusion Musical Politics into the New Millennium
Robin D. Moore
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End Matter
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