Russian Music since 1917: Reappraisal and Rediscovery
Russian Music since 1917: Reappraisal and Rediscovery
Senior Lecturer in Music
Professor of Music History
Cite
Abstract
This volume of essays provides an overview of the transformation that the study of Russian music since 1917 has undergone since glasnost’, both in Russia itself and outside it. Prior to this, scholars on both sides of the Iron Curtain confronted formidable practical difficulties. In the USSR, the operation of strict censorship and ideological constraints seriously hindered the development of scholarship. In the West, ideological perspectives engendered by the Cold War hindered an objective appraisal of many aspects of Soviet cultural life. The changed climate of the post-Soviet period has obviated many of these difficulties, and acted as a powerful stimulus to the development and expansion of the discipline. The seventeen chapters are grouped under six thematic headings. Those in Part I explore the most conspicuous trends and changes in emphasis in recent scholarship, as well as assessing the extent to which pre-glasnost’ ideological perspectives continue to hinder progress. Part II focuses on reappraisals of Socialist Realism and other important topics pertaining to music and musical life of the Stalinist era. Part III examines the damaging effects of censorship on Soviet musicology, and Part IV on recent developments in Shostakovich studies, an area which has been the locus of particularly fierce controversies. Part V focuses on the Russian musical diaspora. The three essays in Part V are concerned with the ways in which the difficult transition to the post-Soviet era has affected Russian compositional activity.
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Front Matter
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1
Introduction
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Part I Russian Music History and Historiography Today
Marina Rakhmanova-
2
Russian Musicological Scholarship of the Last Two Decades: Achievements and Lacunae
Marina Rakhmanova
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3
Soviet Music Studies Outside Russia: Glasnost’ and After
Patrick Zuk
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4
The Adventures of Soviet Music in the West: Historical Highlights
Levon Hakobian
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5
Soviet Music in Post-Soviet Musicology: The First Twenty Years and Beyond
Marina Frolova-Walker
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2
Russian Musicological Scholarship of the Last Two Decades: Achievements and Lacunae
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Part II Reappraising the Soviet Past
Marina Raku-
6
The Phenomenon of ‘Translation’ in Russian Musical Culture of the 1920s and Early 1930s: The Quest for a Soviet Musical Identity
Marina Raku
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7
From Enlightened to Sublime: Musical Life under Stalin, 1930–1948
Pauline Fairclough
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8
The Stalinist Opera Project
Yekaterina Vlasova
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9
Composers in the Gulag: A Preliminary Survey
Inna Klause
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6
The Phenomenon of ‘Translation’ in Russian Musical Culture of the 1920s and Early 1930s: The Quest for a Soviet Musical Identity
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Part III Soviet and Post-Soviet Musicology
Olga Manulkina -
Part IV The Newest Shostakovich
Liudmila Kovnatskaya -
Part V Russian Music Abroad
Richard Taruskin -
Part VI 1991 and After
Laurel E. Fay -
End Matter
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