Voices for Change in the Classical Music Profession: New Ideas for Tackling Inequalities and Exclusions
Voices for Change in the Classical Music Profession: New Ideas for Tackling Inequalities and Exclusions
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Abstract
This volume advances understanding of the nature of current inequalities in the field of classical music production in the Global North, exploring why inequalities continue to exist, and asking what can be done to tackle ongoing exclusions. It constitutes an urgent intervention into these contemporary debates, drawing together ongoing and emergent analyses from scholars, activists, and musicians in a variety of countries across Europe and North America to foreground both scholarly examination of these inequalities, alongside discussion of strategies and catalysts for change. Academic accounts investigate inequalities in higher education and the classical music industry, exploring racial, class, and gender inequalities, “authenticity,” disability representation, changing the canon, and neoliberalism. The book also includes interviews with those working in the classical music industry where they reflect on issues of diversity and share insights and inspiration as well as good practice, putting into dialogue scholarly and industry-based accounts. Themes of the book include institutional legacies and possibilities for change; racial, gender, and class inequalities and marginalized voices; and strategies for activism whether reflective practices, informal networks, or larger organizations are leading change.
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Front Matter
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Introduction
Anna Bull andChristina Scharff
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I The Making of Classical Musicians
Clementina Casula-
1
Class and Gender Inequalities in the Recruitment of Classical Musicians: Reflections on the Case of Italian Music Conservatoires
Clementina Casula
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2
The Role of Music Conservatoires in the Making of Classical Music Careers
Rainer Prokop andRosa Reitsamer
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3
Social Inclusion in Contemporary British Conservatoires: Alumni Perspectives
Jennie Joy Porton
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4
Inside Looking In: Strategies to Counteract Misconduct in Artistic Teaching within Higher Music Education
David-Emil Wickström
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1
Class and Gender Inequalities in the Recruitment of Classical Musicians: Reflections on the Case of Italian Music Conservatoires
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II Problematizing Institutional Change
Kristina Kolbe-
5
(Un)settling Institutional Hegemony: Challenges of Diversity Strategies in the “Western” Classical Music Sector
Kristina Kolbe
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6
“To Share Music with Children”: The LA Phil and Neoliberal Philanthropy in Inglewood
Mina Yang
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7
A Critical Perspective on Diversity and Inclusion in US Classical Music Discourse
Marianna Ritchey
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8
Staging a Loose Canon: Scripture, Tradition, and Embedded Exclusion in Opera Production
Caitlin Vincent
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9
Disability Representation in Opera
Charlotte Armstrong
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5
(Un)settling Institutional Hegemony: Challenges of Diversity Strategies in the “Western” Classical Music Sector
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III Marginalized Voices
Beth Higham-Edwards-
10
Gender and Class: An Account of a Female Percussionist in the Classical Music Industry
Beth Higham-Edwards
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11
Making Space for Disability and Music to Interact: An Interview with Composer Oliver Vibrans
Oliver Vibrans
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12
Black on the Podium: An Interview with Conductor Brandon Keith Brown
Brandon Keith Brown
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13
Creolization, Mixing, and Plurality: An Interview with Composer Hannah Kendall
Hannah Kendall
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10
Gender and Class: An Account of a Female Percussionist in the Classical Music Industry
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IV Racial Inequalities
Maiko Kawabata-
14
The New “Yellow Peril” in “Western” European Symphony Orchestras
Maiko Kawabata
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15
Irreconcilable Senses of Belonging: Transnational Japanese Artists in the Quest for Authenticity in the World of Classical Music
Beata M. Kowalczyk
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16
[Re-]training Classical Musicians Toward Polymusicality and Hybridization: An Interview with Jon Silpayamanant
Jon Silpayamanant
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17
Inclusion and Diversity in the Early Music Scene in the US: A Conversation with Patricia Ann Neely
Patricia Ann Neely
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18
On Leaving Classical Music: An Interview with Anthony Gray
Anthony Gray
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14
The New “Yellow Peril” in “Western” European Symphony Orchestras
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V Activism: Starting with the Self
Eleanor Ryan-
19
(Dis)orient Yourself! Disrupting White Ontologies in Classical Music
Eleanor Ryan
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20
Everyday Bridges: A View from the Field
Cayenna Ponchione-Bailey
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21
Illuminating Women’s Music: Exploring the Canonic Ethos behind the Illuminate Women’s Music Concert Series
Angela Elizabeth Slater
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22
Changing Classical Music from the Inside: An Interview with Chi-chi Nwanoku
Chi-chi Nwanoku
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19
(Dis)orient Yourself! Disrupting White Ontologies in Classical Music
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VI Activism: Building Networks for Change
Antonio C. Cuyler-
23
(Un)Silencing Blacktivism in Opera: An Interview with Quodesia Johnson about the Letter to the Opera Field from Black Administrators
Antonio C. Cuyler
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24
Reflecting on the Work of Gender Relations in New Music: Institutional Critique and Activist Strategies
Brandon Farnsworth andRosanna Lovell
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25
Addressing Inequalities in the Music Industry before, during, and after COVID-19: The Campaigning Work of the UK’s Independent Society of Musicians
Deborah Annetts and others
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26
“A Community of 30,000 Musicians behind You”: An interview with John Shortell from the UK Musicians’ Union
John Shortell
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23
(Un)Silencing Blacktivism in Opera: An Interview with Quodesia Johnson about the Letter to the Opera Field from Black Administrators
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End Matter
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Viewing your signed in accounts
Click the account icon in the top right to:
Signed in but can't access content
Oxford Academic is home to a wide variety of products. The institutional subscription may not cover the content that you are trying to access. If you believe you should have access to that content, please contact your librarian.
Institutional account management
For librarians and administrators, your personal account also provides access to institutional account management. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more.