Joseph Addison: Tercentenary Essays
Joseph Addison: Tercentenary Essays
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Abstract
Joseph Addison: Tercentenary Essays is a collection of fifteen essays by a team of internationally recognized experts specially commissioned to commemorate in 2019 the three-hundredth anniversary of Addison’s death. Almost exclusively known now as the inventor and main author of The Spectator, probably the most widely read and imitated prose work of the eighteenth century, Addison also produced important and influential work across a broad gamut of other literary modes-poems, verse translations, literary criticism, periodical journalism, drama, opera, travel writing. Much of this work is little known nowadays even in specialist academic circles; Addison is often described as the most neglected of the eighteenth century’s major writers. Joseph Addison: Tercentenary Essays sets out to redress that neglect; it is the first essay collection ever published which addresses the full range and variety of his career and writings. Its fifteen chapters fall into three groupings: an initial group of five dealing with Addison’s work in modes other than the literary periodical (poetry, translation, travel writing, drama); a central core of five addressing The Spectator from a variety of disciplinary perspectives (literary-critical, sociological and political, bibliographical); and a final set of five exploring Addison’s reception within several cultural spheres (philosophy, horticulture, art history) by individual writers (Samuel Johnson) or across larger historical periods (the Romantic age, the Victorian age), and in Britain and Europe (especially France). Joseph Addison: Tercentenary Essays provides an overdue and appropriately diverse memorial to one of the eighteenth century’s dominant men of letters.
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Front Matter
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Introduction
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1
Addison as Translator
David Hopkins
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2
Mr Spectator and the Doctor: Addison and Henry Sacheverell
Brian Cowan
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3
Was Addison a Poet?
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4
Coins and Circulation in Addison’s Prose
Henry Power
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5
Addison as Critic and Critical Theorist
Marcus Walsh
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6
‘More sensual Delights’: Visual Pleasure and Musical Anxiety in Addison’s Aesthetics
James A. Winn
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7
Sociability and Polite Improvement in Addison’s Periodicals
Markman Ellish
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8
Addison’s Modesty, or the Essayist as Spectator
Fred Parker
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9
The Complete Spectator: A Bibliographical History
Hazel Wilkinson
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10
Cato and the Crisis of Rhetoric
David Francis Taylor
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11
Addison and France
Claire Boulard-Jouslin
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12
Addison, Samuel Johnson, and the Test of Time
Robert De Maria Jr
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13
Nature and Imagination: The Posterity of Addison’s ‘Pleasures’ in British Enlightenment Culture
Frédéric Ogée
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14
Addison and the Romantics
Gregory Dart
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15
Addison and the Victorians
Brian Young
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End Matter
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