
Contents
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JEWISH CITY MUSIC JEWISH CITY MUSIC
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THE METROPOLE, TRADITION, AND FOLK MUSIC THE METROPOLE, TRADITION, AND FOLK MUSIC
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PARABLES OF URBANIZATION PARABLES OF URBANIZATION
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THE JOURNEY TO THE CITY—“THE JEWISH CONDUCTOR’S SONG” THE JOURNEY TO THE CITY—“THE JEWISH CONDUCTOR’S SONG”
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INVENTING CITY MUSIC: MINHAG AND LOCAL JEWISH LITURGY INVENTING CITY MUSIC: MINHAG AND LOCAL JEWISH LITURGY
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BROADSIDES AND FLIEGENDE BLäTTER: PRODUCTIONS AND REPRODUCTIONS OF CITY MUSIC BROADSIDES AND FLIEGENDE BLäTTER: PRODUCTIONS AND REPRODUCTIONS OF CITY MUSIC
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SUCCESS STORIES SUCCESS STORIES
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URBAN NETWORKS TORN ASUNDER URBAN NETWORKS TORN ASUNDER
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PEOPLING THE PARABLES OF THE JEWISH METROPOLE PEOPLING THE PARABLES OF THE JEWISH METROPOLE
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CHAPTER SEVEN PARABLES OF THE METROPOLE
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Published:October 2008
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Abstract
Central to the chapter’s survey of emerging Jewish popular-music genres is the role of the city as a new cultural context for Jewish music making by the turn of the century. Immigrants from rural Eastern Europe, Jewish musicians entered all areas of the urban musical cultures of Vienna, Berlin, and other cities, where they performed for Jewish and non-Jewish audiences with enormous success. The city was also the site for mixing musical genres, creating new sounds in popular music and establishing new genres—for example, cabaret and Yiddish theater. The chapter analyzes numerous broadsides and hit songs such as Gustav Pick’s “Viennese Coachman’s Song.” Individual musicians, music publishers, and ensembles serve as a collective biography throughout the chapter.
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