
Contents
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ON THE EVE OF REDISCOVERY ON THE EVE OF REDISCOVERY
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THE TIMELESSNESS OF MUSIC’S PASTS THE TIMELESSNESS OF MUSIC’S PASTS
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MODELS OF TIMELESSNESS MODELS OF TIMELESSNESS
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Journey into Timelessness Journey into Timelessness
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Temporal Isolation Temporal Isolation
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The Historical Dynamics of Ceaseless Wandering The Historical Dynamics of Ceaseless Wandering
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THE CEASELESS MOVEMENT OF CULTURE THE CEASELESS MOVEMENT OF CULTURE
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IN SEARCH OF AUTHENTICITY: A. Z. IDELSOHN’S REDISCOVERY OF THE MEDITERRANEAN IN SEARCH OF AUTHENTICITY: A. Z. IDELSOHN’S REDISCOVERY OF THE MEDITERRANEAN
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THE TIMELESS QUALITY OF MUSICAL DIASPORA THE TIMELESS QUALITY OF MUSICAL DIASPORA
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1492/1992: REVIVAL AND THE PEOPLE WITHOUT HISTORY 1492/1992: REVIVAL AND THE PEOPLE WITHOUT HISTORY
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CHAPTER TWO THE PEOPLE WITHOUT MUSIC HISTORY: REDISCOVERING JEWISH MUSIC IN THE MEDITERRANEAN
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Published:October 2008
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Abstract
This chapter explores the historical meaning of Jewish music in the Mediterranean, particularly as a metaphor the historical past and the Jewish Diaspora. The Jewish music of the Mediterranean provided links to the past and presumably to a world of authenticity and origins. As modern scholars and travels began to experience Mediterranean Jewish music and to bring it in collections to Europe, they recognized that it had undergone changes. Jewish music from the Mediterranean therefore entered modern history and allowed European Jews to intensify cultural links to the Levant and to eretz yisrael, the “land of Israel.” Timelessness in Jewish music was replaced by history. The great scholarly activities of Robert Lachmann (1892–1939) and Abraham Zvi Idelsohn (1882–1938) provide the empirical material for the chapter.
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